Fuji xpro2, 105mm, f/2.8, 1/125s, ISO 6400
Kevin Harris is the tenor sax in the Dirty Dozen Brass Band and possibly the jazziest of them all. He always plays in a cap and shades, and when I shot this I couldn’t help but think of Bleeding Gums Murphy, the saxophonist in the early episodes of the Simpsons. Must be the frizzy hair.
Fuji xpro2, 75mm, f/2.8, 1/200s, ISO 6400
I love shooting trombone players in large part for the diagonal opportunities they offer. TJ Norris was no exception during this Dirty Dozen Brass Band gig. Forearm muscles ain’t bad either
Fuji xpro2, 150mm, f/2.8, 1/200s, ISO 6400
Kirk Joseph is not only a legendary New Orleans musician, he’s also a legend and innovator amongst sousaphone players. His playing was mellow and funky that night, and when I found an opportunity to get close and frame him, he looked at me in this whimsical, inquisitive way.
Fuji xpro2, 140mm, f/2.8, 1/200s, ISO 6400
It was hot as hell at the New Morning during the Dirty Dozen Brass Band gig. In fact, one of the band members remarked that it was as hot as New Orleans, except they have air conditioning there. This led drummer Julian Addison to play the second set bare chested, which the ladies probably enjoyed, but pleased me as a photographer as well. It gave these shots a distinct 70s atmosphere.
Fuxi xpro2, 120mm, f/2.8, 1/200s, ISO 6400
Last week I was lucky enough to see the Dirty Dozen Brass Band live in Paris. It’s my 6th time seeing this band, and it never gets old. This is trumpet player and singer Greg Davis, and I particularly like this profile outlined by the blue overhead light.
Fuji xpro2, 110mm, f/3.2, 1/125s, ISO 3200
Cory Seznec is a wonderful guitarist whose band is full of wonderful talents. But there is something about double bass players that makes for great compositions, I find. I really like the intensity in Thomas Garoche’s expression here. Incidentally, this was my first gig shot with the 50-140 f/2.8 OIS lens, and my first gig ever shot with stabilization. It’s wonderful! I haven’t pushed it to extremes yet (I was still shooting at a speed faster than the focal length) but I will try pushing it in the future.
ICC at Dusk
Fuji xpro2, 105mm, f/11, 0,9s, ISO 200
If I stand on the far left of my balcony and lean out, I can see the ICC. I had to jury rig my tripod to get this shot and prevent my camera and zoom lens from falling down 22 floors, but I’m really happy with the results.
Half a Sun
Fuji xpro2, 210mm, f/11, 1/105s, ISO 200
One interesting thing about the passing of seasons is where the sun sets every night. In the fall, it’s behind the IFC (from my balcony) but in the spring it’s straight in the middle between the IFC and the ICC. This is what it looks like, tourist sampan included.