Fuji x100s, 45mm, f/2, 1/1600s, ISO 320
While circling Jakarta we got a little lost, and hopped on a taxibus kind of thing. The problem was we didn’t know where it was going and the driver didn’t understand where we wanted to go. But I got to shoot a lot of street characters from the back window while driving through the traffic. Like this fruit seller. Doesn’t this just make you want to eat what he’s selling ?
The Seller of Blades
Fuji X100, 35mm, f/8, 1/60s, ISO 200
One of the delights of street photographies in remote countries is that you stumble upon so many activities that we no longer see (or never existed) in the west. In Jakarta I had great fun shooting lots of people in the streets, especially since there’s no reluctance to be photographed there. But the best was undeniably this itinerant knife, scissors and assorted blades seller with a contraption at the front of his bike to display his wares.
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Fuji TX2, 45mm, F/5.6, 1/100s, ISO 100
Film: Fuji Velvia 100
Most of my street photography these days is done in locations that most Europeans consider « exotic », so it was fun to walk the streets of Geneva and shoot what most Asian tourists would probably consider quaint. This barrel organ player, complete with hat and beard certainly fit the bill! It was my first ever roll of Velvia, and I loved the colors. I’ll be shooting more slide from now on.
Fuji x100s, 35mm, f/4; 1/60s, ISO 1000
The first evening, at dusk, I was struck by the possibilities offered by the bright shop windows before closing time to do silhouettes. I have it a shot and was quite pleased with the results. Unfortunately, it requires time and patience, and with kids in tow I had neither, so this is the only attempt. Definitely something I will try again.
For the God of Knowledge
Fuji x100s, 35mm, f/2, 1/60s; ISO 3200
The first time I went to Hong Kong 7 years ago I was walking around Central and I kind of stumbled upon Man Mo temple on Hollywood Street. It doesn’t look like much from the outside, and is really tiny inside, but the huge incense spirals as far as the eye can see are a truly impressive sight. This place has a mood all of its own and this time I took my wife and kids there so they could share that experience.
The Front Door
Fuji x100s, 35mm, f/8, 1/60s, ISO 1000
I have an unwavering fascination with doors, especially when they are ornate or derelict or a mix thereof. I took a lot of photos of doors in Venice, most of them half-rotten canal doors. This one probably is the most representative, but I may do a « door » series in the not too distant future.
Fuji x100s, 35mm, f/8, 1/320s, ISO 800
Limoncello is a staple lemon alcohol from Venice. It’s not unpleasant, but it really is an acquired taste. Still, the bottles look so cool that the photographer in me doesn’t care how it tastes!
San Giorgio at Dusk
Fuji x100s, 35mm, f/11, 18s, ISO 200
Obviously, for the lover of Long Exposure that I am, Venice is a godsend. I wish I’d had a proper tripod (there’s only so much a Gorillapod will do) and more evenings and mornings to find cool locations to shoot, but I did get a few shots I liked, including this one.
Fuji x100s, 35mm, f/8, 1/300s, ISO 200
Venice is ripe with street photo opportunities, and when I saw this couple seated under the statue of a saint alongside Santa Maria del Giglio, I knew I had a good shot despite the high contrast.
Fuji x100s, 35mm, f/8, 1/120s, ISO 400
The theme for this week’s photos is Venice. I was lucky enough to have to spend three days in Venice for work last year and spent all of my free time walking the streets and losing myself in the labyrinth. I feel like I haven’t scratched the surface, so the selection this week will be only a little bit of what I think I could shoot if I went back. Anyway, here’s the first shot, a view of the Grand Canal from the Rialto Bridge, with the obligatory gondola. I wasn’t exactly plagued with beautiful weather, but there was enough texture in the sky at most times that it didn’t look completely bland.