Fuji x100f, 35mm, f/4, 1/250s, ISO 640
The benches in Victoria Park often host interesting people. Not sure what prompted me to shoot, but I like the attitude. Can you really check your phone with your arms crossed like that ?
Fuji x100f, 35mm, f/4, 1/250s, ISO 320
One thing you notice when you live in Hong Kong (and more generally in China, it was even more pronounced in Shanghai) is how much the Chinese love their dogs. There’s a special liking for small dogs (I suppose the topology of the city explains that in part) and so I’ve been trying to capture masters and dogs these last few weeks.
Fuji XPro-2, 50mm, f/8, 1/160s, ISO 200
I suppose you could see a scene like this anywhere, but here in Hong Kong (and elsewhere in China) there is really the sense that people are constantly glued to their device to the absolute ignorance of anything going on around them. I must have been maybe three meters away from the lady when I shot this, took my time, framed… she never looked up.
Fuji XPro-2, 85mm, f/1.4, 1/1800s, ISO 200
There’s something fascinating about monkeys, especially when they’re just lying around like they own the place (which, to be fair, they do). It’s hard not to project our own reading of facial expressions on their faces, wrong as that may be, hence the title here…
Erhu in Central
Fuji Xpro-2, 85mm, f/1.4, 1/1800s, ISO 200
The Erhu is a Chinese violin that sounds atrocious to my European ears. But when you find an Erhu player on an overpass in Central and that he lets you take your time shooting a portrait, you can tolerate the sound for a few seconds, open nearly all the way to f/1.4 and get a nice bokeh in the background of your street portrait !
Fuji X-Pro2, 85mm, f/4, 1/750s, ISO 200
There’s a roleplaying game called Apocalypse World that has a woman with a red gas mask on the cover. Dogan wanted to emulate that and he had a red T-Shirt so he wrapped it around his head. We took a few shots and then I told him to drop the T-Shirt and do a shot bare-chested. This one is my favourite.
Fuji X-Pro2, 85mm, f/4, 1/280s, ISO 200
When I shot this series I was worried that everyone would look the same (since the faces are not exactly visible). So it becomes about other things: accessories, postures, post-processing, etc. In the end a fair number of the 29 photos are interesting in their own right.