House in the Frost
Fuji x100f, 35mm, f/8, 1/100s, ISO 200
I really wanted to do this shot in long exposure of at least a few seconds, which would have frozen the water, but despite the embedded ND8 in the x100f and a polarizing filter, I would only bring it down to 1/5th of a second. So I shot this straight instead. Still pleased with the results although I really have to find a good source for ND1000 filters.
Fuji x100f, 28mm, f/11, 1/60s, ISO 640
I was worried that Helsinki wouldn’t give me a real taste of Finland, but fortunately, minutes from my hotel was a wooded island called Seurasaari: forest, seashore, winter sun and no cars, it felt like the rest of Finland (to me).
Colours of Swedish Fall
Fuji x100f, 35mm, f/8, 1/600s, ISO 200
Yesterday I was invited to speak at a work related event on a cruise boat… in the middle of the Baltic Sea. How cool is that? Anyway, in between work stuff, I went on one of the many decks to take photos of the wonderful islands around. The colours of the trees slowly fading from green to yellow and red were magical.
The Mangrove’s Mouth
Fuji XPro-2, 27mm, f/8, 1/60s, ISO 200
Langkawi’s Bat Cave doesn’t feature sleek black automobiles or bat-shaped weaponry, just hundreds upon hundreds of bats. The cave mouth open’s directly on the Mangrove, and the stalactite there caught my eye. I like the contrast between the stone and the vibrant green of the mangrove itself.
Overlooking the Islands
Fuji XPro-2, 80mm, f/8, 1/300s, ISO 200
From the top of the cable car station, you have a stunning 360 view on Langkawi and the surrounding islands. It was dusk when we were there, but there was something wonderfully melancholy about this blue on blue landscape.
Looking at Paradise
Fuji XPro-2, 27mm, f/8, 1/600s, ISO 200
As soon as I set foot on Pasir Tengkorak Beach on the Northern shore of Langkawi I knew I had to take a shot using those two branches to frame the island out at sea. I did several attempts, but the photo was missing something, I felt, so I asked my son to sit on the branch. I think this balances the composition nicely.
The Sun Setting Over Happy Valley
Fuji XPro-2, 38mm, f/13, 1/170s, ISO 200
I live just south of Happy Valley and had already staked the area along Taï Hang road. Yesterday I took advantage of a clear day and went all the way up the road by cab so I could walk all the way down while the sun was setting. My battery died halfway down, but I got some good shots before the XPro2 sucked the juice out of it. I love the mix of buildings and vegetation here in Hong Kong.
Angkor on the Horizon
Fuji XPro-2, 80mm, f/4, 1/640s, ISO 200
Phnom Bakheng is a derelict temple at the top of a hill overlooking Angkor Wat. Seeing the famous three spires emerge through the foliage was something quite unique.
Canon EOS 7D, 32mm, f/11, 1/4s, ISO 100
Recently, while discussing potential prints of flowing water with a client, I realised that I had never posted this photo on my blog. This was shot in the Jura mountains, and I love the near painting quality it has. It was during this session I realised that with rushing water I didn’t need long exposure times to get the amount of motion blur in the water that I like. I used a variant edit of this shot to illustrate my Long Exposure Tutorial.
(Click to Enlarge)
Phu Quoc Sunset
Fuji TX2, 45mm, 1/100s, f/8, ISO 100
Slide Film: Agfa CT 100 Precisa
I first used Agfa Precisa slide film this summer and I was stunned by the quality of the colours. In preparation for Vietnam this winter I purchased 10 rolls and brought about half as many with me. In the end, due to weather constraints, I could only use one of them. I was stunned again and how gorgeous the colors were, and this sunset particularly stood out. It’s very classic in feel, but the slow fade to black on the right is just magical (I think). I strongly recommend you enlarge this one to really catch the glory of it.