With waterfalls there’s always a trade off between wide shots to try and capture the grandeur of it all, or closer focused shots to capture the flow. For this shot I chose the latter, and I like how it just feels peaceful.
The Kuang Si waterfalls had many levels of successive waterflows, including this natural stairwell with many tiny steps of water flowing on top of each other. The blue colour of the water is natural as well, the result of particles of limetone being carried by the flow from further up the river.
*Kuang Si Falls*
I’m a sucker for waterfalls, and it’s become a point of contention with my family since I’ll spend so much time trying to get the perfect shot on my tripod that they don’t get to spend time with me. This time, in the gorgeous Kuang Si Falls near Luang Prabang, I adopted a half-way strategy that has worked well: instead of using the tripod, in most instances I used the lens’ stabilization to shoot at around 1/15s. In my experience, with rushing water that’s what delivers the most pleasing yet natural looking results. And family saw more of me and was pleased as well. This huge waterfall park is by far the most impressive I’ve seen yet, and if you go to Laos I strongly recommend not missing out on it!
Fuji TX2 (XPAN) + Rollei RPX25
I had initially loaded the RPX25 upon arriving at Nuuksio national park with the idea that there’s be plenty of lakes and therefore I could do long exposures over water to my heart’s content. Turned out finding the paths to the lakes was trickier than I thought, and I ended up doing only a few shots over water, and not very good ones at that due to the overcast, textureless sky. But while exploring I stumbled upon this run down cabin in the woods which (I felt) made for a perfect black and white subject.
*Cabin in the North*
Fuji TX2 (XPAN) + Rollei RPX25
For my first ever attempt at shooting RPX25 I didn’t make it easy on myself: in the midst of the Nuuksio forest on an overcast day, and accounting for reciprocity failure, I often had exposure times of 30-45 seconds. As a consequence the results were hit and miss. But when they hit, it was amazing. The level of fine detail that this film retains is just amazing. This one is my favourite shot, an abandoned cabin in the woods.
Downstream from the Waiau Falls in Coromandel, I climbed down the banks to try and capture the flow of the water. I normally don’t expose for too long when it comes to streams, but in this particular case I quite liked the effects. Would have been nicer on a sunnier day, but hey…
*Pier 41 at Dawn*
Pier 41 in San Francisco is a wooden pier that juts out into the bay. It has these old fashioned lampposts that stay on all night, and last time I was in San Francisco I decided to check it out at dawn. It wasn’t an insanely superb sunrise, but the subdued colours were really lovely.
*The Iron Lady*
By sharing this photo I may be doing something illegal. Because of intellectual property rules (that I frankly consider stupid) the night lights of the Eiffel Towers are IP protected. That’s correct, not the tower itself, but the lights. Oh well, that won’t stop me from taking shots of the tower and sharing them (at least until they sue me…)
*The Mists of Dawn*
When you shoot long exposures of a still body of water, you get a perfectly smooth and often reflective surface. But when you shoot a long exposure of waves, you get patterns and eddies. One interesting look that I definitely have not explored enough is this misty look that you get from a shortish long exposure (here 5s).
*Hedgehog on Film*
Canon A2 + Ilford Pan F
There’s a spectacular waterfall in the Jura mountains in France called Les Cascades du Hérisson (The Hedgehog Waterfall) and the river that flows from them is called (you guessed it) The Hedgehog (le Hérisson). Long exposure on film is tricky, but when all you’re after is 1/10s or thereabouts, Ilford Pan F is perfectly suited. I really like the results on this one.