Canon EOS 7D, 32mm, f/11, 1/4s, ISO 100
Recently, while discussing potential prints of flowing water with a client, I realised that I had never posted this photo on my blog. This was shot in the Jura mountains, and I love the near painting quality it has. It was during this session I realised that with rushing water I didn’t need long exposure times to get the amount of motion blur in the water that I like. I used a variant edit of this shot to illustrate my Long Exposure Tutorial.
Slow Hong Kong
Fuji x100s, 50mm, f/11, 85s, ISO 200
50mm telephoto extension + in-built ND8 filter
I always meant to explore Bulb mode for really long exposures, but have rarely found the opportunities to do it. Monday night I realized my 21st floor hotel room overlooked a highway amidst tall Hong Kong buildings. I set up my tripod against the window sill and voila! This is a rough version as I’m posting this from the airport and haven’t had time to really tweak the colour temperature, but it’s interesting (I think).
Fuji x100s, 35mm, f/8, 30s, ISO 500
There’s a certain amount of Disneyland artificiality to Singapore. It’s not quite Las Vegas levels of it, but still… One of the most famous hotels is the Marina Bay Sands which I managed to shoot one night on my way back. It was a tricky long exposure (without the in-built ND I was getting too short exposure times due to the ambiant light, but with the ND it was too long so I had to up the ISO!) Still, it’s quite representative of some of the architectural madness in Singapore.
San Giorgio at Dusk
Fuji x100s, 35mm, f/11, 18s, ISO 200
Obviously, for the lover of Long Exposure that I am, Venice is a godsend. I wish I’d had a proper tripod (there’s only so much a Gorillapod will do) and more evenings and mornings to find cool locations to shoot, but I did get a few shots I liked, including this one.
The Three Towers
Fuji x100s, 35mm, f/16, 30s, ISO 200
A few years ago I went to Shanghai on a business trip and took a photo that I entitled The Two Towers (in a not so subtle reference to Tolkien’s Lord of the Rings) featuring the Shanghai World Financial Center and the Jin Mao Tower. Going back to a similar location last week, I realised that even if I’d wanted to, I couldn’t do the same shot again: there’s a third tower now, the nearly finished Shanghai Tower. Still, I stabilized my gorillapod, screwed on my ND 400 filter, activated the internal ND 8 filter (for a combined ND 3200) and fired for 30s in plain daylight. I quite like the results.
San Giorgio Maggiore
Fuji x100s, 35mm, f/11, 20s, ISO 200
Venice is a honeytrap for the amateur photographer, and despite only having my x100s and gorillapod, I was able to make some really great low-light long-exposures while I was there. This is one of them.
Fuji x100s, f/11, 30s, ISO 200
Another early morning shot in San Francisco. This is the view of the city from Pier 14. I like how the top of the Transamerican Building peaks above the skyline at the back. Processed with X-Equals XeL 2.0.
Sunrise Under the Bay Bridge
Fuji x100s, 35mm, f/11, 14s, ISO 200 w. ND 64 external filter and ND 8 internal filter
It’s surprisingly difficult to do sunrise shots of San Francisco. The city is nearly always lost in fog until close to mid-day, and on my first day there last week I didn’t realise how lucky I was to catch this much of a sunrise, which is admittedly not much. Still, I quite liked the composition, with the wooden piles at the forefront and what little of the morning sunlight is visible directly under the bridge. I remain amazed at my x100s’ capabilities and am seriously thinking about ditching the Canon system altogether…
Le Hérisson Canon 7D, 32mm, f/11, 1/4s, ISO 100 A while ago I published a series of tutorials on long-exposure photography over at the x-equals website (x-equals is a company that sells wonderful pre-sets for Lightroom that I use very often when processing my photos). The tutorials were published in three installments, so I thought it [...]
Fuji X100S, 35mm, 27s, f/8, ISO 200 (in-built ND filter)
Last night I participated in a photowalk in Paris near the Seine, and I was reminded by one of the other participants, also an X100 user, of the in-built ND filter. I set it up in camera, put the camera on the rail of the Pont D’Arcole and kneeled on the ground, clutching my strap for fear of the camera falling in the water. The result seriously astounded me. It may not be the best long-exposure shot ever, but considering I expected nothing of that in-built ND, it’s pretty astounding. Next time I’ll remember to take my gorillapod and my beanbag…