*Waiting for the Tube*
I’ve been roadtesting my newly acquired Fuji XT3 these last few weeks, and I did a lot of low light shots in the London tube to push the limits of the Fuji’s light sensitivity (this is ISO 3200 for what it’s worth). The London tube is colourful and recognisable of course which makes this a quintessentially London shot.
I can’t remember when I first saw ‘Les Horloges’, the statue by Arman that stands in front of St Lazare train station in Paris. I do know that I’ve been fascinated by it from the start, and have tried to shoot it in interesting ways repeatedly. The pigeon couple and the wide-angle shot make it more interesting, don’t they?
*Matter and Anti-Matter*
Powerful sunlight low on the horizon will create these deep projected shadows that I love. As I mentioned in a previous post I’m starting to experiment with how to capture them in an esthetic way, and this is one of those attempts.
*On a Break !*
Paris has more old stone and churches than you might think. I like it when old and new clash in interesting ways. I think these guys were renovating a nearby church or something…
*The Portal of Shadow and Light*
I love winter light. I know it’s only October, but in Paris the light felt like winter already. I was walking around North of Les Halles when I stumbled upon this church. I think it’s Saint-Nicolas des Champs. Anyway, this door, half in light, half in shadows had the most wonderful detail, and felt like something from a mysterious movie.
*The Glitter of the Fake Tower*
I love doing long exposure shots and light trails, so when I saw the fake Eiffel tower glittering at night I knew I had to find a spot to do such an exposure. I had to give it six or seven try outs before I got this one (not matter what they say, a gorillapod on a lamppost is not a very stable setup) but I finally got this one and I was happy. Added bonus: unlike photos of the real Eiffel tower lights, this one is probably not illegal.
*Macau from on High*
At the top of the Studio City hotel there’s a ferris wheel of sorts actually built into the hotel structure. This is the view from the top of the wheel.
Under the Deep Blue Sky
The Altiplano is so high that the sky is a deep deep blue and the light is super harsh. This makes lit whites super white (as on the left here) and shadows super dark (as in the middle and the right). Our Lady of Copacabana is all whitewashed, but when I got there, late morning, not all of it was lit, causing these stark contrasts that I like.
Scrapers within Scrapers
Minox 35ML, Ilford FP4+
High risers are so dense in Hong Kong that with the right light you can see them all reflected within each other. This is something I was fascinated by early on when I arrived in Hong Kong, and I did many such shots. This is one of the best despite (or maybe because of) the minimalist setup of the Minox.
Beach & Tags
What caught my eye here was the combination of bathers on one side of the frame and the heavy urban feel of the street art on the other side. I wish the dinghy hadn’t been there bobbing on the water, but hopefully it’s not too distracting.