At God’s Door
Fuji x100f, 28mm, f/5.6, 1/120s, ISO 200
Lots of churches in Valencia. Lots of beggars also.
Fuji x100f, 28mm, f/2, 1/60s, ISO 400
From the top of the San Catalina tower in Valencia, the view is magnificent, but the best thing is looking down into the narrow staircase. Looking back at this picture, I find it verging on the abstract, and it reminds me of the graphical world of Tim Burton’s Nightmare Before Christmas…
Hand in the Shadows
Fuji x100f, 35mm, f/2.8, 1/30s, ISO 1600
As one would expect, there were a lot of churches in Valencia, but my favourite was clearly Santa Catalina. Unlike the fancier cathedral, it felt like having macerated for a while, with bordeline creepy iconography. This statue (and the resulting shadow) struck me.
The weather wasn’t glorious during my short stay in Valencia, but you make the most of what you have. That’s why I went for a somewhat bleak processing of this old palace entrance near the Central Market. Goes with my series of Père Lachaise shots from a few months back.
Fuji x-pro2, 27mm, f/8, 1/4s, ISO 200
When you have the appropriate filters, there’s always a temptation to do really long exposures over rushing water. In my experience though, it doesn’t really work to render the flow. Exposure times around 1s or less work best in my experience, and this is what I did here at Huka falls, probably the most impressive rush of water I’ve seen in my life to date.
Fuji x-Pro2, 38mm, f/16, 10s, ISO 200
I arrived in Wellington in late December (so early Summer) to abysmal weather (although the locals told me it wasn’t all that bad…) Still, the coast south of city was such a perfect spot for long exposure that I decided to brave the rain. This is the result, which I think made it worth it!
Fuji x100f, 28mm, f/5.6, 1/100s, ISO 800
Anyone living in Asia is familiar with this posture that I have taken to calling the Asian Squat. It’s mostly men that squat like that in China, but occasionally you’ll see women as well. I’ve seen this in China, in India, in Malaysia. Most of the time these days there’s a mobile phone involved, but not here.