Part of the fun of street photography is in spotting amusing juxtapositions or just funny situations. This photo is more the latter.
Fuji x100f, 28mm, f/4, 1/15s, ISO 1600
I remember spending a fair bit of time in the NYC subway shooting passers by at shutter speeds of around 1/10s or 1/15s. You get a lot of blurry shots, but when you manage to stay steady, you capture some of the motion. With a wider angle lens (a 28mm in this case) it’s a bit easier and I find that at 1/15s I can more or less consistently shoot a sharp shot. I liked those columns and the contrast produced by the black band of tiling, that’s why I chose this Tokyo underground spot.
Fuji x100f, 28mm, f/2, 1/60s, ISO 1250
Compared to the Paris metro, the Tokyo metro is clean as a hospital. I wanted to capture all this white and thought that doing it in a mirror would be a little more original. I guess it would have been more effective at rush hour, maybe an idea for the next trip…
Fuji x100f, 28mm, f/16, 12s, ISO 200
In many ways, Tokyo is even more of a vertical city than Hong Kong where I live. Hong Kong mostly grew overground, which makes sense when you realise that most of the high-riser areas are on reclaimed land. Tokyo on the other hand seems to me as much underground as overground with multiple layers of commuting, shops and walkways superimposed. That means lots of colonnades and interestingly graphic things to shoot with a wide(ish) angle lens!
Fuji x100f, 28mm, f/2, 1/60s, ISO 400
From the top of the San Catalina tower in Valencia, the view is magnificent, but the best thing is looking down into the narrow staircase. Looking back at this picture, I find it verging on the abstract, and it reminds me of the graphical world of Tim Burton’s Nightmare Before Christmas…
Hand in the Shadows
Fuji x100f, 35mm, f/2.8, 1/30s, ISO 1600
As one would expect, there were a lot of churches in Valencia, but my favourite was clearly Santa Catalina. Unlike the fancier cathedral, it felt like having macerated for a while, with bordeline creepy iconography. This statue (and the resulting shadow) struck me.