Dusk on Gotham City
Fuji x100s, 35mm, f/8, 1/50s, ISO 6400
Singapore under heavy clouds can look surprisingly like Nolan’s Gotham City at dusk. I shot this from one of the boat buses that cross the city on my way to a work dinner. I am once again stunned at the low-light performance of the Fuji x100s. Can you believe this is 6400 ISO ?
Canon 7D, 27mm, f/9, 1/160s, ISO 1000
In my (limited) landscape photography experience, I’ve always found that mountain sunrises or sunsets were the hardest to get right, because the contrast between the fiery sky (when you’re lucky) and the unlit mountain is so harsh. Sometimes though, it works as I think is the case here.
Fuji x100s, 35mm, f/8, 1/60s, ISO 250
Reykjavik’s Hallgrímskirkja is a truly impressive modern building overlooking the city. You can’t help feeling dwarfed by the sheer size and greyness of it. I shot this at dawn when there was no one around (unsurprisingly considering how cold and wet it was) and I felt the grimness of it all matched the weather perfectly.
Paul’s Big Sound
Canon 7D, 80mm, f/2, 1/100s, ISO 1250
Paul Robertson is big in every sense of the word: big frame, big sound, big groove. He combines a really powerful vibration with very fluid lines when he plays, a fantastic contribution to the Soul Rebels sound. This isn’t a fantastic shot, but it captures him in action, which I guess is good enough on some level.
Julian in Shades
Canon 7D, 135mm, f/2, 1/100s, ISO 1250
The New Morning in Paris is a tricky club to shoot in. The light is harsh and there’s always something in the background. With the Soul Rebels it’s made even harder by the fact that most of them have one or two microphone stands in front of them. So I was quite pleased with this shot of Julian Gosin in his shades.
Corey on the Bone
Canon 7D, 145mm, f/2.8, 1/80s, ISO 1600
The Soul Rebels Brass Band hails from New Orleans and is undoubtedly one of the most raucous acts I have ever seen. Last Saturday I went to their gig at the New Morning in Paris, and despite this being the third time I see them, it was the most fun I’d had of all three gigs. As usual with the New Morning, photo conditions were rough, but I hope to have enough good shots of them to last the week.
Sneaking by the Side Door
Canon 7D, 35mm, f/7.1, 1/200s, ISO 100
I’ve been to India three times, but two of these were so brief that I had no time for photos. The first time though, I’d taken a day off and convinced a very friendly tuk-tuk driver (Surinder) to show me the Gurdwara Bangla Sahib, the biggest Sikh place of worship in New Delhi. After the visit, I was impressed by this magnificent silver door, but just as I was putting the camera up to shoot, this man came in and sneaked by.
Fuji x100s, 35mm, f/8, 30s, ISO 500
There’s a certain amount of Disneyland artificiality to Singapore. It’s not quite Las Vegas levels of it, but still… One of the most famous hotels is the Marina Bay Sands which I managed to shoot one night on my way back. It was a tricky long exposure (without the in-built ND I was getting too short exposure times due to the ambiant light, but with the ND it was too long so I had to up the ISO!) Still, it’s quite representative of some of the architectural madness in Singapore.
(Click to Enlarge)
Fuji TX2 (XPAN 2), 45mm, f/5.6, 1/60s, ISO 400
Film: Kodak Ultrachrome 400 (Expired)
There are parts of Shanghai where you can walk all day and find new and wonderful things to shoot every minute of it. One of the things that I find fascinating is how much the Chinese like to play games, cards, mahjing, chess, etc. It usually attracts a lot of onlookers, which makes it hard to shoot, but when there’s an opening, you have to go for it. Which is what I did here.
Fuji x100s, 35mm, f/8, 1/60s, ISO 400
Over the years I have repeatedly tried to do panned shots, with a relative lack of success. But sometimes, just sometimes, it works as intended. This was shot by a big artery in Bangkok one early evening, simply as an expertiment.