Next Stop: Gamla Stan
Fuji x100s, 35mm, f/4, 1/25s, ISO 1600
And the last shot from that stroll in the streets of Gamla Stan fittingly brings us to the train station. I wish I’d had a chance for a second shot here, to make it less symetrical, but the second shot (about 2 seconds after this one) features a train… All in all I was very pleased with both the x100s and the black & white pre-sets. I’ll be doing street that way again, that’s for sure.
Science Fiction Bokhandeln
Fuji x100s, f/5,6, 1/18s, ISO 1600
The first time I went to Stockholm I managed to find an hour or so to walk around Gamla Stan. To my surprise, I stumbled upon a fantastic book shot selling sci-fi and fantasy novels, graphic novels and roleplaying games, amongst other things. Finding Science Ficition Bokhandeln by chance was unbelievable enough, but were it not for Swedish prices, this would be on the top of my list of such stores anywhere in the world. I’ve made sure to drop by there every time I go to Stockholm, and last time was no exception. The difference is, this time I had a camera.
Walking Down Gamla Stan
Fuji x100s, 35mm, f/5.6, 1/60s, ISO 1000
This is a style of black & white photo that I love (backlit character in a paved street) but I need to practice to get better. I didn’t know really what I was doing and though I managed an exposure balance that perhaps couldn’t have been much better, I still feel I could improve on it. Still, I like the shot, again straight out of the X100S’ black & white pre-sets.
Under the Cherubs’ Eyes
Fuji x100s, 35mm, f/5,6, 1/60s, ISO 640
If you follow me you know that this type of composition is a classic for me, a moving subject under an interesting background. Some of the doors in Stockholm’s Gamla Stan are quite fascinating, this one being an example of that. Also straight of the X100S with minor post- tweaks.
Gustaf III & Company
Fuji X100S, 35mm, f/7.1, 1/75s, ISO 200
This week I’ll be posting daily street shots from my Stockholm trip two weeks ago. This was shot in front of the royal palace, where the statue of King Gustaf the Third cohabits with tourists and… junk. This is the pre-processed B&W from the camera, by the way, with only some minor tweaking.
Fuji X100S, 35mm, 27s, f/8, ISO 200 (in-built ND filter)
Last night I participated in a photowalk in Paris near the Seine, and I was reminded by one of the other participants, also an X100 user, of the in-built ND filter. I set it up in camera, put the camera on the rail of the Pont D’Arcole and kneeled on the ground, clutching my strap for fear of the camera falling in the water. The result seriously astounded me. It may not be the best long-exposure shot ever, but considering I expected nothing of that in-built ND, it’s pretty astounding. Next time I’ll remember to take my gorillapod and my beanbag…
Bowler vs. Stovepipe
Canon 7D, 32mm, f/4, 1/4s, ISO 2000
Models: Guillaume & Achille
Another shot from that strange and (if I say so myself) wonderful session back in October. Street lighting forces some off compromises on you, especially regarding exposure lengths, but it does have its atmospheric results! This was processed in Snapseed to accentuate the strangeness a bit.
Canon 7D, 80mm, f/13, 1/250s, ISO 100
I’ve started using my proper studio lights to do a new series of camera porn. First I wanted to shoot the Horizon 202 which isn’t quite as spanking new as it looks. It’s a very cool camera even though I’ve only been able to shoot half a roll before the Curse of Lenin’s Mummy locked the camera on me. Now I’m looking at a steep revision cost, but I don’t care, it’s that cool. These shots are processed in Lightroom with a light filter in Snapseed.
Guns & Frills
Canon 7D, 80mm, f/10, 1/250s, ISO 100
This is another shot from the session I did at a costumed ball a few weeks back. I love the contrast between the gloves and pink frills and the gun.
The Yellow Bus
Canon A2, 20mm, f/8, 1/250s, ISO 100
Film: Adox Color Implosion
This is one of those times when I really wish I’d had a « normal » film in the camera when I shot this. The grain and faded colors of the Adox Color Implosion don’t do this Cleveland scene justice, I think. But hey, what are you gonna do, that’s the charm of film…