I haven’t shot a concert in a real long time, but I’m going through past concerts for good photos I never published. This is Nicolas Mondon from the fantastic French big band Bigre!
Canon EOS 7D, 32mm, f/11, 1/4s, ISO 100
Recently, while discussing potential prints of flowing water with a client, I realised that I had never posted this photo on my blog. This was shot in the Jura mountains, and I love the near painting quality it has. It was during this session I realised that with rushing water I didn’t need long exposure times to get the amount of motion blur in the water that I like. I used a variant edit of this shot to illustrate my Long Exposure Tutorial.
Canon EOS 7D, 80mm, f/2.2, 1/60s, ISO 100
Late last year I volonteered to do a series of Chinese fruit and vegetable photographies for a charity cookbook that should be released this year. As a sufferer of gear acquisition syndrome, I immediately went and bought a lightbox (thankfully, it’s cheap here, although one of the LEDs is already blown out…) I had to try it out, and struggled to shoot my veggies on a proper white background. I then thought it would be an interesting challenge to shoot a black subject on a black background, so I grabbed this plaster statue of a Buddha that we brought back from Vietnam. As you can see, I failed to shoot black on black, couldn’t keep the background truly black, but in the process created a Harcourt-esque background that’s really quite cool.
Rotten in NYC
Canon 7D, 80mm, f/11, 1/250s, ISO 100
Post-Processing: Snapseed and Lightroom
I don’t normally use partial desaturation, but since I was going for camp in this series I decided it would be worth a shot. It seemed to fit particularly well in this black & white shot where only the eyes have colour (and greatly enhanced colour at that…)
Canon 7D, 80mm, f/11, 1/250s, ISO 100
Post-Processing: Lightroom, Snapseed
In 2014 I shot a couple of themed events attended by costume maniacs and live roleplayers. I produced ‘faithful’ photos for the attendees, and kind of left it at that, but months later I revisited those photos. I reworked some of them in more radical way with the idea of depicting movie characters. This week I’ll be sharing the best or most fun of those.
Canon 7D, 27mm, f/9, 1/160s, ISO 1000
In my (limited) landscape photography experience, I’ve always found that mountain sunrises or sunsets were the hardest to get right, because the contrast between the fiery sky (when you’re lucky) and the unlit mountain is so harsh. Sometimes though, it works as I think is the case here.
Paul’s Big Sound
Canon 7D, 80mm, f/2, 1/100s, ISO 1250
Paul Robertson is big in every sense of the word: big frame, big sound, big groove. He combines a really powerful vibration with very fluid lines when he plays, a fantastic contribution to the Soul Rebels sound. This isn’t a fantastic shot, but it captures him in action, which I guess is good enough on some level.
Julian in Shades
Canon 7D, 135mm, f/2, 1/100s, ISO 1250
The New Morning in Paris is a tricky club to shoot in. The light is harsh and there’s always something in the background. With the Soul Rebels it’s made even harder by the fact that most of them have one or two microphone stands in front of them. So I was quite pleased with this shot of Julian Gosin in his shades.
Corey on the Bone
Canon 7D, 145mm, f/2.8, 1/80s, ISO 1600
The Soul Rebels Brass Band hails from New Orleans and is undoubtedly one of the most raucous acts I have ever seen. Last Saturday I went to their gig at the New Morning in Paris, and despite this being the third time I see them, it was the most fun I’d had of all three gigs. As usual with the New Morning, photo conditions were rough, but I hope to have enough good shots of them to last the week.