I love waterfalls, and the first time I managed to traipse around New Zealand, I made sure to go to Waiau Falls in Coromandel. The place is magical, very few people there (at least in early spring when I went) and a great scenic view. This was my best shot.
*Squared and Rounded*
La Villette in Paris is a great parc, very modern, with industrial buildings including La Géode, this spherical cinema that is all shiny from the outside. The main building reflections into it in a really interesting way.
*Alternate Port Mélite*
Last week I reposted on social media this photo Port Mélite which I took in 2011. The version I posted was an HDR: back then I was experimenting with the technique and although I quickly dropped it, that picture stayed one of my favourite. As I was looking through my collections to publish new long exposure shots this week, I found this alternate shot of the same location (just before and a very slightly different angle) and wondered if with the changes in Lightroom since 2011 and my changes in taste and editing skill I might produce a satisfying photo from the single shot. I’m pleased to say that I did, and I actually prefer the softer, more subdued tones of this alternate version.
Robes vs Kilts
Canon 1000D, 115mm, f/4.5, 1/800s, ISO 200
Wandering nuns is one of the staples of Rome, but when they cross wandering scottish rugby fans, you know you have a shot. Part of the fun of street photography is capturing these odd moments of life, more frequent than we think.
Fuji x-pro2, 27mm, f/8, 1/4s, ISO 200
When you have the appropriate filters, there’s always a temptation to do really long exposures over rushing water. In my experience though, it doesn’t really work to render the flow. Exposure times around 1s or less work best in my experience, and this is what I did here at Huka falls, probably the most impressive rush of water I’ve seen in my life to date.
Canon 7D, 27mm, f/9, 1/160s, ISO 1000
In my (limited) landscape photography experience, I’ve always found that mountain sunrises or sunsets were the hardest to get right, because the contrast between the fiery sky (when you’re lucky) and the unlit mountain is so harsh. Sometimes though, it works as I think is the case here.
One of those lucky shots when the light hits your subject perfectly despite a looming storm…
One of my earliest attempts at « ghosting » silhouettes. Same session as Les Fantômes du Pont des Arts.
My first ever attempt at long-exposure. With torrents, « long » is a very relative terms since anything above a fraction of a second makes the whole stream go white.
Angelo Debarre is a unique artist and not at all a Django copycat, but on this picture he looked so much like Django that I had to process it ‘old style’.