Fuji xpro-2, 27mm, f/16, 12s, ISO 200
I know this doesn’t look exactly like the best holiday weather (and it wasn’t), but you make the most of what you have, and I definitely like this haunting long exposure of the fractured rocks by the Cook Straight in Wellington.
Fuji x100f, 28mm, f/5.6, 1/100s, ISO 1250
I’m not one to blame people for being fascinated by their mobile phones, it happens to me too. Here in Hong Kong though, I sometimes get the impression that this fascination trumps everything else.
Fuji x100f, 28mm, f/5.6, 1/100s, ISO 800
Anyone living in Asia is familiar with this posture that I have taken to calling the Asian Squat. It’s mostly men that squat like that in China, but occasionally you’ll see women as well. I’ve seen this in China, in India, in Malaysia. Most of the time these days there’s a mobile phone involved, but not here.
Fuji x100f, 35mm, f/5.6, 1/100s, ISO 1600
Shooting from the hip makes for different compositions. I spotted those two girls leisurely leaning on the lamppost and knew I had to get close to capture the expressions naturally. I’m happy I did, I think it makes for a good shot.
Fuji x100f, 28mm, f/5.6, 1/250s, ISO 1600
There are a lot of smokers here in Hong Kong and I’ve been trying for a long time to get some good street shots of people smoking, but shy of sticking my camera in their face – which I’m loathe to do – it’s hard. This one is the first shot I really like, not only because you see the subjects is smoking but because you see the smoke.
Fuji x100f, 35mm, f/5.6, 1/100s, ISO 800
Hong Kong is not quite China, but in some ways it is. Just in front of the Causeway Bay Apple Store, there’s a string of back of the truck electronics for sale, including iphones (probably fake, but I can’t say for sure). This particular one attracted my attention because of the umbrella (protecting her from the sun) but also because she seems so much not to care.
Inside the Crypt
Fuji x100f, 35mm, f/5.6, 1/140s, ISO 200
It’s not easy to capture the inside of a crypt, especially on a sunny day. You have to find one with the proper orientation to the sun so that the outside isn’t blown and the inside isn’t black. I quite like this shot for that reason.
Fuji x100f, 35mm, f/5.6, 1/150s, ISO 200
The statuary in cemeteries is rarely joyful, but often offers great opportunities for compositions. This is what I tried to do here, framing the statue of the weeping widow in context.
Fuji x100f, 35mm, f/5.6, 1/220s, ISO 200
What I really liked in the Père Lachaise cemetery compared to others I have visited is that parts of it are not nicely laid out and manucured. There are wild areas, where the tombs seem to jut from the ground, the vines have invaded the stones, etc. It feels much more like what I expect a cemetery to feel like, a place forgotten by the living.
Fuji x100f, 35mm, f/5.6, 1/320s, ISO 200
Despite living over 10 years near or in Paris I had never walked around the Père Lachaise Cemetary. I strongly recommend it, it’s quite spectacular, in a low-key an occasionally macabre way.