Half a Pinecone
Canon 7D, 95mm, f/13, 1.3s, ISO 200
Still experimenting with Weston inspired still lives. I really like the texture of the pinecone, I’ll no doubt be doing more of those in the future. This was edited in Lightroom using X-Equals XeL 2.0‘s Scala 200 emulation.
Canon 7D, 32mm, f/4, 1/4s, ISO 1000
This is another shot in my series of experimentations for the Dreamhounds of Paris book by Pelgrane Press. I tried to imagine how surrealist photographers might have experimented with form, and came up with this idea of using a negative as a positive and scratch the negative for added deconstruction. It was all done digitally of course (the processing is a mix of Lightroom and Snapseed). I quite like the result, though I suspect it’s not surreal enough to make it into the book.
Bowler Hat Army
Canon 7D, 32mm, f/4, 1/15s, ISO 400
Photoshop Composite / Model: Achille
Lately I’ve been working on some photos evocative of 1930s Paris with a surrealist edge for the upcoming book by Pelgrane Press »Bookhounds of Paris« . I will publish a few although I should stress that these are works in progress. For this one I was trying to put together two motifs of surrealist art: bowler hats (through Magritte, mostly) and repetition of characters (also Magritte, but others too). These were my first attempts at cloning in photoshop and I was quite pleased with the results. The three shadowy men remind me of Marc-Antoine Mathieu’s Julius Corentin Acquefacques for some reason. The photo was processed in photoshop and then Lightroom with XeL 2.0 emulations for the black & white.
Canon A2, 50mm, f/4, 1/250s, ISO 200
Film: Agfa Scala 200 / Models: Anaïs & Guillaume
Lately I’ve been doing a number of photo sessions with models dressed in 1930s fashion for a project that may or may not come to fruition (more on that later if it materialises). At the end of the first session, since both me and the models had a little time on our hands, I asked the models if they wanted photos for themselves, and took this lovely portrait of Anaïs and Guillaume. I think the dynamic range and the tone of the Agfa Scala really do wonders here!
Canon 7D, 96mm, f/8, 1/3s, ISO 200
In many ways this shot is the polar opposite of Pinecone in Darkness posted last week. It’s harder to light a subject over a white background than over a black one, I think, but I managed to pull off something that works here, I think. Edited in Lightroom with XeL 2.0
Pinecone in Darkness
Canon 7D, f/13, 1s, ISO 200
Still life is as much an exercice in technique as it can be an artistic endeavour. I’ve long been fasinated by Edward Weston’s Pepper No. 30 and without any illusion of getting anywhere near his mastery of light, I’ve been experimenting with similar in the studio still life concepts. I did a fair amount of work on pinecones, and this one is one of the most interesting results, I think.
Three Monkeys from the Thirties
Canon 7D, 32mm, f/8, 0.8s, ISO 1000
I’m currently working on a project on surrealist Paris (possibly more on that later) for which I recruited a bunch of really cool period-dressed models. At the end of the session, I decided to try to do with them something that I’ve been meaning to do with my kids for a long time: a three monkeys shot. As you may imagine this is a combination of careful photo work and careful photoshop work (although the latter turned out to be surprisingly easy). The picture was then processed in B&W in Lightroom using XeL 2.0.
Pont de Bercy
Canon A2, 20mm, f/13, 1/40s, ISO 125
Film: Ilford FP4+
The Pont de Bercy is a very visible landmark in Eastern Paris, since it crosses the Seine along the famous modern building that hosts the Ministry of the Budget. But few people know that under the bridge is a bike track with wonderful columns on the sides…
Canon A2, 50mm, f/4, 1/100s, ISO 200
Model: Aurélie / Film: Agfa Scala 200
A few months ago I did a session with models dressed in 1930s style. At the end of the session, I decided to do a roll of Agfa Scala, a film I love despite the fact that I can’t print it (it’s a positive slide film). This is one of the resulting photos. It was ever so slightly out of focus, but Aurélie’s smile was so nice that I thought it would make a perfect vintage shot. I post-processed it in Snapseed and I think the result looks decidedly vintage.
Banishment, Polish Style
Canon A2, 50mm, f/4, 1/40s, ISO 125
Walking around Warsaw’s Old Town I tried to capture some interesting street scenes. Of course, the contrast between the religious statue on the side of one of the many churches and the urban style clothing of the man in front caught my eye… Shot on Ilford FP4+.