Hong Kong Verticals
Fuji x100s, 35mm, f/4, 1/17s, ISO 3200
There are some areas in Central where the sky is so far out due to high buildings that it feels like night anyway. This is especially true in really narrow alleyways such as this one. What grabbed my eye was the green light reflected on the tile wall, and then this guy walked passed me.
For the God of Knowledge
Fuji x100s, 35mm, f/2, 1/60s; ISO 3200
The first time I went to Hong Kong 7 years ago I was walking around Central and I kind of stumbled upon Man Mo temple on Hollywood Street. It doesn’t look like much from the outside, and is really tiny inside, but the huge incense spirals as far as the eye can see are a truly impressive sight. This place has a mood all of its own and this time I took my wife and kids there so they could share that experience.
No Rest for Street Vendors
Fuji x100s, 35mm, f/2,8, 1/100s, ISO 2000
If ever a city deserved the nickname City that Never Sleeps it’s Hong Kong. Even late at night there are still plenty of street vendors plying their trade (mostly in fake electronic goods, watches and food). I captured this one because the light struck me as interesting, outlining the customers as it does.
HK Taxi Stand
Fuji x100s, 35mm, f/2, 1/500s, ISO 3200
I spent a short week in Hong Kong recently, and went out nearly every night to try and capture the particular atmosphere of the city after dusk. I was mostly on Hong Kong Island around Central (my favourite part of HK anyway) and this week I will share photos from a series I entitled Hong Kong Mood, trying to express what makes Hong Kong what it is visually. I was greatly helped by the incredible low-light performance of the Fuji x100s with virtually no grain at ISO 3200. Liberating.
The Front Door
Fuji x100s, 35mm, f/8, 1/60s, ISO 1000
I have an unwavering fascination with doors, especially when they are ornate or derelict or a mix thereof. I took a lot of photos of doors in Venice, most of them half-rotten canal doors. This one probably is the most representative, but I may do a « door » series in the not too distant future.
Fuji x100s, 35mm, f/8, 1/320s, ISO 800
Limoncello is a staple lemon alcohol from Venice. It’s not unpleasant, but it really is an acquired taste. Still, the bottles look so cool that the photographer in me doesn’t care how it tastes!
San Giorgio at Dusk
Fuji x100s, 35mm, f/11, 18s, ISO 200
Obviously, for the lover of Long Exposure that I am, Venice is a godsend. I wish I’d had a proper tripod (there’s only so much a Gorillapod will do) and more evenings and mornings to find cool locations to shoot, but I did get a few shots I liked, including this one.
Fuji x100s, 35mm, f/8, 1/300s, ISO 200
Venice is ripe with street photo opportunities, and when I saw this couple seated under the statue of a saint alongside Santa Maria del Giglio, I knew I had a good shot despite the high contrast.
Fuji x100s, 35mm, f/8, 1/120s, ISO 400
The theme for this week’s photos is Venice. I was lucky enough to have to spend three days in Venice for work last year and spent all of my free time walking the streets and losing myself in the labyrinth. I feel like I haven’t scratched the surface, so the selection this week will be only a little bit of what I think I could shoot if I went back. Anyway, here’s the first shot, a view of the Grand Canal from the Rialto Bridge, with the obligatory gondola. I wasn’t exactly plagued with beautiful weather, but there was enough texture in the sky at most times that it didn’t look completely bland.
Mah Jong Jr.
Fuji x100s, 35mm, f/2, 1/340s, ISO 200
I’ve been wanting to learn Mah Jong for ages, and I might buy a set in Dongtai Lu the next time I go there, so it was fun to watch this little kid play with the tiles, killing time.