*Aluminium Tattoos*
Fuji XT2 (XPAN) + Ilford FP4+
Model : M.
The impact of subtle differences in relative exposure on the textures appearing or not fascinate me. Here, the low contrast between my daughter’s blonde hair and her pale scale was not enough for me to overexpose the skin too much and have strong texture only in the hair, but I love how the taxture shines in the less exposed parts of her back.
*Mysterious Cherub*
Canon A2 + Agfa Scala 200 (expired)
From my first visit to the Hong Kong Cemetery I spotted this Cherub under the trees. The light hits it laterally, which is very nice although its face is always in the shadows. I quite like the way this shot came out although I would like to try it again with a non expired film and a reflector.
*Inside Mariahilf Church*
Fuji x100f
Mariahilf Church in Vienna is quite a majestic sight, and the inside is as impressive as the outside, if not more. The pulpit is particularly adorned and quite spectacular.
*Paris Ossuary*
Fuji X-Pro 2
A couple of years back we decided to visit the Paris Catacombs (the public parts that can be anyway). We were a little worried doing it with a 5 year old, but strangely enough it felt respectful and not macabre. I took few photos because the lighting was really limited, but this one is probably the most interesting one both graphically and in terms of expressing what we saw.
*Musical Abstraction*
Fuji XT3
There was a strong natural side light coming into the living room yesterday and I decided to experiment with some harmonica related still life shots. At one point, after I’d painstakingly built a pyramid of harmonicas, a cloud came over the sun, and I noticed that the shadow of the pyramid became indistinct in a graphically interesting way. This ended up being the best shot in the session.
*Barbershop Paraphernalia*
Canon A2 + Ilford FP4+
A few weeks ago, having been immersed in my xpan shots for a while, I started revisiting older film photos that might benefit from a 65×24 framing like that of the xpan. I found this picture of a barbershop window quite adequate for that framing, that I call fauxpan.
*Red and Gold Flower*
Fuji X100F
A few weeks back, I went to Ping Shan with my daughter’s class. The Hong Kong government has recently come to the realisation that it was attracting a certain kind of tourists with shopping malls and luxury hotels, but not another kind more interested in history and culture. So they opened the Ping Shan heritage trail, a string of old buildings and temples in the town of Ping Shan just by the border. I’m not sure it’ll be much of a tourist attraction, but I found it really interesting. In the last temple we visited were these paper flowers that I found quite striking…
*Kam Fa*
Fuji x100F
A few weeks ago I went along a school trip my daughter’s class was taking to the Ping Shan heritage trail. It’s a string of old buildings and temples in the middle of a town just by the Chinese border. In one of the shrines was this icon of Kam Fa, the Patron Saint of Expectant Mothers and I really liked the multitude of kids in front of the mother figure.
*Buddha and Acolytes*
Fuji XT3
Guangxiao temple in Guangzhou is quite spectacular even if the outside buildings are nothing to write home about (especially when wrapped in scaffolding). But the brass statues (at least I’m assuming it’s brass) are quite spectacular, as this trio showcases.
*The Weight of Love*
Canon A2 + Ilford FP4+
This is a shot of something you will no longer be able to see : the padlocks attached to various pedestrian bridges in Pairs (here the Pont de l’Archevéché) have been removed. They were supposed to symbolise the love of the couples attaching them, but they ended up weighing down the bridges so much that they represented a safety concern. I hope that’s not symbolic of love in general. Anyway, for this photo I have done what I like to call a fauxpan, ie. resizing a standard 24×36 shot to the 24×65 XPAN format.
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