Fuji X-Pro2, 27mm, f/8, 1/100s, ISO 5000
Trams are a new subject for me, I never lived or stayed long in a place that has trams before. So I’m trying various things inspired by trams. This is one of them, playing on the different planes formed by the garish advertising on the one hand and the passengers on the other. It creates a funny sense of disorientation.
Fuji XPro-2, 35mm, f/8, 1/100s, ISO 5000
One of the reasons I love walking around Taï Hang is that the garages don’t have any workshops due to space constraints. So all the work happens in the streets. You often see cabs being fixed like this one here (although I don’t quite know what you fix in the engine by spraying water on it.)
In the Tram
Fuji Xpro-2, 27mm, f/2.8, 1/800s, ISO 6400
The Island tram in Hong Kong is a delightful way of traveling: it’s fast, frequent and deliciously quaint. I love to go upstairs and just watch life go by from above.
Tai Hang Ramen
Fuji Xpro-2, 27mm, f/8, 1/100s, ISO 500
Tai Hang is a little area just around the corner where I live that used to be mostly garages and body shops, but it’s in the process of gentrifying, so you get a combination of garages and cheap hip restaurants everywhere. It’s a real pleasure to walk around, very colourful. I haven’t tried this Ramen place yet, but I will!
Fuji X-Pro2, 85mm, f/2, 1/200s, ISO 6400
I’ve said it in the past: in my now sizable experience shooting jazz concerts, framing pianists is the hardest job. Getting meaningful shots from the front is virtually impossible, and getting a facial expression and at least part of the instrument from the back is no trivial affair. I think I tick most of the boxes here with David Torkanowski although to be fair it’s far from my best concert shot.
Fuji X-Pro2, 85mm, f/1.6, 1/80s, ISO 1250
Shooting bassist James Singleton on that Stanton Moore Trio gig was quite tricky: he had a music stand just in front of the bass. Thankfully after a while I managed to move a bit and the 24MP capability of the X-Pro2 allowed me to do severe cropping. The hair and the hand make the photo, I think (I hope ?)
Fuji X-Pro2, 85mm, f/1.4, 1/100s, ISO 2000
Last summer I had the incredible luck of arriving in Paris just the day that the Stanton Moore Trio had been playing the Duc des Lombards. I was there, first row, with Stanton not 3 meters away from me. It wasn’t an easy set-up for photos, but the music was fantastic, and I did get a few interesting shots anyway.
Fuji X-Pro2, 85mm, f/4, 1/800s, ISO 200
For this last shot I went pretty far on the grungy post-treatment, using lots of scratching and dirtying in Analog Efex 2. Some might thing it’s too much, but I quite like it.
Fuji X-Pro2, 56mm, f/4, 1/800s, ISO 200
There’s a fishman character in the Hellboy comic called Abe Sapien. When I was processing this shot I couldn’t help thinking it looked a bit like him, so I called it Abe…
Fuji X-Pro2, 85mm, f/4, 1/750s, ISO 200
There’s a roleplaying game called Apocalypse World that has a woman with a red gas mask on the cover. Dogan wanted to emulate that and he had a red T-Shirt so he wrapped it around his head. We took a few shots and then I told him to drop the T-Shirt and do a shot bare-chested. This one is my favourite.