Pattern and ‘Bone
Fuji xpro2, 52mm, f/2, 1/60s, ISO 6400
I love shooting trombone players at the best of times. Because of the length of the instrument it has a potential for strong diagonals, and from the right angles there’s a lot of different potential shots to be had. But when I saw the pattern on Reut Regev’s dress (playing ‘bone with Hazmat Modine) I knew the potential had just gone up tenfold! This is one of my favourite shots of her that night.
Fuji xpro2, 110mm, f/3.2, 1/125s, ISO 3200
Cory Seznec is a wonderful guitarist whose band is full of wonderful talents. But there is something about double bass players that makes for great compositions, I find. I really like the intensity in Thomas Garoche’s expression here. Incidentally, this was my first gig shot with the 50-140 f/2.8 OIS lens, and my first gig ever shot with stabilization. It’s wonderful! I haven’t pushed it to extremes yet (I was still shooting at a speed faster than the focal length) but I will try pushing it in the future.
Ounsa and Crowd
Fuji xpro2, 85mm, f/2.8, 1/100s, ISO 1600
Ounsa Mébarkia is a fantastic and spectacular singer who occasionally plays with the wonder French brass band Ceux Qui Marchent Debout (CQMD). I saw them live at New Morning a couple of years ago, and revisiting those photos I found this one which I liked a lot. The pattern on the dress, the expression on her face and the crowd in the shadows below…
Good Night, Aesclepius
Fuji xpro2, 27mm, f/13, 9s, ISO 200
As you might have figured out by now, I really like this little temple in the Villa Borghese and decided to go shoot there both at sunrise and at sunset. The results are dramatically different as the sun going low behind the trees creates a wonderfully golden backlit scene.
Fuji xpro2, 27mm, f/11, 6,5s, ISO 200
The last time I’d been in Rome I had spotted those fountains in front of the Borghese Gallery but the light was all wrong and the photos I got weren’t very interesting. This time the light was right, and I had the tripod and ND filter. I quite like how this looks. In particular the rusted stone (is that a thing?) which I guess is fungi of some sort came out real nice. Oh and I know it’s not an imp, more likely some devil out of Dante, but Slow Imp sounded nicer.
Fuji xpro2, 27mm, f/16, 15s, ISO 200
For a long time I’ve been meaning to take a long exposure shot of the coliseum with traffic light trails in front. When I got there thanks to my friend Lori, I found that the angle I wanted to shoot from was occupied with scaffolding and a crane. So I went to the other side, and shot this. To be honest I’m not super happy with the angle, but I still think it works. Will revisit at a later date.
Slow Sea Horses
Fuji xpro2, 27mm, f/13, 12s, ISO 200
Walking around the Villa Borghese with tripod and ND filter, I realised there were more photo opportunities than I anticipated. I tried to find the right angle for the Fontana dei Cavalli Marini, with the sun behind me and was quite pleased with the results.
Aesclepius Wakes Up
Fuji xpro-2, 60mm, f/13, 8.5s, ISO 200
When I was in Rome for work last year I discovered the Temple of Aesclepius in the Villa Borghese, by the side of a little lake. Back then I had neither tripod nor zoom lens, so this time I came prepared. I went there early morning, after the sun was up, but not too high on the sky. I used an ND400 filter to get this 8 second exposure, and I’m very pleased with the result, basked in glorious morning light.
Fuji xpro-2, 50mm, f/2, 1/850s, ISO 200
There are a lot of temples in Bali, and a lot of stray dogs in the temples. This one was very peaceful, sitting at the front of one of the temple doors. Mind you it was so hot the poor creature must have been overheating like crazy…
ICC at Dusk
Fuji xpro2, 105mm, f/11, 0,9s, ISO 200
If I stand on the far left of my balcony and lean out, I can see the ICC. I had to jury rig my tripod to get this shot and prevent my camera and zoom lens from falling down 22 floors, but I’m really happy with the results.