Behind the IFC
Fuji xpro2, 85mm, f/13, 1/1800s ISO 5000
In the fall, the sun sets behind the IFC from my place, which makes for some truly spectacular views. This is when incidentally I see how good the ISO is on the xpro2: the camera was stuck on a night setting, which explains the super high ISO and yet the picture is useable!
Fuji xpro-2, 80mm, f/4, 1/420s, ISO 200
Whenever I’m faced with a waterfall, the temptation is to take the filters out for long exposure, but the viewpoint over Waipunga falls was too high for the tripod, and I’m glad it was. I chose a narrow depth of field for this shot and I’m glad I did, it gives it a bit of an ethereal feel.
Fuji XPro-2, 85mm, f/1.4, 1/1800s, ISO 200
There’s something fascinating about monkeys, especially when they’re just lying around like they own the place (which, to be fair, they do). It’s hard not to project our own reading of facial expressions on their faces, wrong as that may be, hence the title here…
Erhu in Central
Fuji Xpro-2, 85mm, f/1.4, 1/1800s, ISO 200
The Erhu is a Chinese violin that sounds atrocious to my European ears. But when you find an Erhu player on an overpass in Central and that he lets you take your time shooting a portrait, you can tolerate the sound for a few seconds, open nearly all the way to f/1.4 and get a nice bokeh in the background of your street portrait !
Fuji X-Pro2, 85mm, f/13, 1/9s, ISO 200
There’s something fascinating about red peppers. Maybe it’s because they are so unbelievably red, or maybe it’s because they look so nice and shiny and end being so deliciously evil. I like peppers…
Fuji X-Pro2, 85mm, f/2, 1/200s, ISO 6400
I’ve said it in the past: in my now sizable experience shooting jazz concerts, framing pianists is the hardest job. Getting meaningful shots from the front is virtually impossible, and getting a facial expression and at least part of the instrument from the back is no trivial affair. I think I tick most of the boxes here with David Torkanowski although to be fair it’s far from my best concert shot.
Fuji X-Pro2, 85mm, f/1.6, 1/80s, ISO 1250
Shooting bassist James Singleton on that Stanton Moore Trio gig was quite tricky: he had a music stand just in front of the bass. Thankfully after a while I managed to move a bit and the 24MP capability of the X-Pro2 allowed me to do severe cropping. The hair and the hand make the photo, I think (I hope ?)
Fuji X-Pro2, 85mm, f/1.4, 1/100s, ISO 2000
Last summer I had the incredible luck of arriving in Paris just the day that the Stanton Moore Trio had been playing the Duc des Lombards. I was there, first row, with Stanton not 3 meters away from me. It wasn’t an easy set-up for photos, but the music was fantastic, and I did get a few interesting shots anyway.
Fuji X-Pro2, 85mm, f/4, 1/800s, ISO 200
For this last shot I went pretty far on the grungy post-treatment, using lots of scratching and dirtying in Analog Efex 2. Some might thing it’s too much, but I quite like it.
Fuji X-Pro2, 56mm, f/4, 1/800s, ISO 200
There’s a fishman character in the Hellboy comic called Abe Sapien. When I was processing this shot I couldn’t help thinking it looked a bit like him, so I called it Abe…