Fuji X-Pro 2, 85mm, f/2.8, 1/900s, ISO 200
In July I usually take part in a friendly game meet-up. There’s about 30 of us there, sharing a house and playing role-playing games for a few days. I usually do portraits and this year someone had brought a gas mask, so I decided that would be the theme for the portrait session. Julien wanted to wear his hoodie over the gas mask and I thought he looked like a dead ringer for the more violent protestors who had been walking the streets of France only a few weeks before, hence the title of the shot. The whole series was shot outdoors with no gear apart from the camera itself.
Münchausen in Montparnasse
Fuji X-Pro2, 85mm, f/1.4, 1/8000s, ISO 200
There are many interesting statues and busts in the Cimetière du Montparnasse. This one struck me with its resemblance to the Baron Münchausen in Terry Gilliam’s movie.
Rest in Peace
Fuji X-Pro2, 85mm, f/1.4, 1/240s, ISO 200
This is one of those shots that would probably benefit from being pure B&W: there’s very little colour to begin with. But I think B&W would give it more harshness than what I was looking for, so I kept it in these super low-key grey/pink tones. Tell me what you think.
Fuji X-Pro2, 85mm, f/1.4, 1/1100s, ISO 200
There is something soothing and peaceful about the Cimetière du Montparnasse, and I spent a few hours there last Saturday morning just walking around and trying to capture that softness through a wide open lens. This is one of the most interesting shots (I think).
Fuji XPRO2, 85mm, f/2.8, 1/80s, ISO 1600
I have a particular photographic fondness for sousaphone players. The bizarre shape and sheer size of their instruments makes for very graphic photos if you can catch their face in the middle of the twisted brass. This is Roufi of the fantastic funk band Ceux Qui Marchent Debout.
Ounsa’s Golden Voice
Fuji xpro2, 85mm, f/2.8, ISO 1600
The launch party for Ceux Qui Marchent Debout‘s new CD Don’t Be Shy was a blast musically. Photographically speaking it was a double challenge: it was the first gig I shot with my new Fuji xpro2, and the New Morning in Paris is not the best scene for photos. It took me a while to get my settings right and get a feel for the camera in low-light. The Fujinon 56mm f/1.2 is a stunning lens in general but its AF is slow, especially in low light (whereas the Fujinon 35mm f/2 performed flawlessly). Anyway, all this to say that I really started getting good shots once the guests showed up on stage. This is the fantastic singer Ounsa Mébarkia, and probably my favorite shot of the evening, even though it doesn’t feature any of the members of the band I was there to listen to.
Fuji XPro-2, 85mm, f/2, 1/160s, ISO 200
Anaïs was an absolute trooper that evening, ready to try every crazy idea I had for deranging shots, and even suggesting a good few herself. This is one I like a lot (again, an outtake from the main thing, but one that gives a very different feel from the submitted shot.) This is also the only shot that I submitted without any texturing or grunging up, the light was just so great naturally.
Fuji X-Pro2, 85mm, f/2, 1/160s, ISO 200
Another weird Unknown Armies outtakes shot, going for a kind of Clive Barker vibe but always with this disturbing contrast between the softness of the light and the harshness of the subject.
Piles of Cash
Fujifilm XPR2, 90mm, f/10, 1/15s, ISO 200
One thing you quickly realize living in China is that in a (mostly) cash based society, you end up with a lot of loose change in your pockets. I put 1Y coins in a couple of bowls in my office, and they’re pretty darn full by now. But it’s nice if you want to shoot money…
Fujifilm XPRO2, 90mm, f/13, 1/10s, ISO 200
One of the things I’ve been shooting in that little lightbox of mine lately has been my daughter’s toys. This is a rainbow teddy bear I got for her in Thailand (I think). I like the way the white background makes the bright colours explode.