Fuji XPro-2, 50mm, f/8, 1/160s, ISO 200
I suppose you could see a scene like this anywhere, but here in Hong Kong (and elsewhere in China) there is really the sense that people are constantly glued to their device to the absolute ignorance of anything going on around them. I must have been maybe three meters away from the lady when I shot this, took my time, framed… she never looked up.
Fuji X-Pro 2, 45mm, f/4, 1/10s, ISO 6400
Just next to where I live – in Tai Hang – is a tiny temple full of character. It’s very dark inside, and when I went there with my fastest lens (the 85mm 1.4) I realised I couldn’t shoot anything, it was too small ! So I used my stabilized 15-55 at the maximum workable settings (very slow, high ISO) and this is what came out. Quite proud of that one, and it really shows a side of Hong Kong that tourists rarely get to see.
Fuji XPRO2, 50mm, f/2, 1/100s, ISO 2500
Scott Henderson is an impressive jazz-rock guitarist who played with (amongst others) Weather Report in his younger days. I saw him live with his trio in Hong Kong last October. I was sitting in the front row which made for great photos, but really hurt my ears it was so loud…
The Mangrove’s Mouth
Fuji XPro-2, 27mm, f/8, 1/60s, ISO 200
Langkawi’s Bat Cave doesn’t feature sleek black automobiles or bat-shaped weaponry, just hundreds upon hundreds of bats. The cave mouth open’s directly on the Mangrove, and the stalactite there caught my eye. I like the contrast between the stone and the vibrant green of the mangrove itself.
Fuji XPro-2, 85mm, f/1.4, 1/1800s, ISO 200
There’s something fascinating about monkeys, especially when they’re just lying around like they own the place (which, to be fair, they do). It’s hard not to project our own reading of facial expressions on their faces, wrong as that may be, hence the title here…
Overlooking the Islands
Fuji XPro-2, 80mm, f/8, 1/300s, ISO 200
From the top of the cable car station, you have a stunning 360 view on Langkawi and the surrounding islands. It was dusk when we were there, but there was something wonderfully melancholy about this blue on blue landscape.
Looking at Paradise
Fuji XPro-2, 27mm, f/8, 1/600s, ISO 200
As soon as I set foot on Pasir Tengkorak Beach on the Northern shore of Langkawi I knew I had to take a shot using those two branches to frame the island out at sea. I did several attempts, but the photo was missing something, I felt, so I asked my son to sit on the branch. I think this balances the composition nicely.
Not Made for Normal
Canon A2, 20mm, f/8, 1/60s, ISO 100
Film : Provia 100F
I’ve only recently started composing using wide-angle opportunities offered by street adverts. This one was shot during my film period after my digital camera got stolen and before my new digital camera was purchased.
Erhu in Central
Fuji Xpro-2, 85mm, f/1.4, 1/1800s, ISO 200
The Erhu is a Chinese violin that sounds atrocious to my European ears. But when you find an Erhu player on an overpass in Central and that he lets you take your time shooting a portrait, you can tolerate the sound for a few seconds, open nearly all the way to f/1.4 and get a nice bokeh in the background of your street portrait !
Fuji XPro-2, 30mm, f/8, 1/160s, ISO 200
Tai Hang is full of garages, and some of them are clearly more… specialized than others. I don’t know what’s so particular about the windshields of Japanese cars, but it looks like this guy has got you covered !