Fuji x100F, 35mm, f/8, 1/320s, ISO 200
Even for really large buildings, they still use bamboo scaffolding here in Hong Kong (in Shanghai it was metal scaffolding made to look the colour of bamboo!) And in order to avoid dust flying all around they wrap the building in protective sheets. To great effect, as you can see, but as the advert says on top, « We Create, We Are Artisans! »
Fuji X-Pro2, 27mm, f/8, 1/10s, ISO 200
It won’t have escaped your notice that I’m fascinated with Hong Kong buildings. Having said that, admiring them and framing them in an effective composition are two different things. As I walk around the streets of Central or Causeway Bay, I try not just to see cool looking scrapers but to structure them inside a photo. Work in progress, as they say, but I think I’m getting there.
Sunset over Causeway Bay
One of the things I quickly noticed upon arriving in Hong Kong is the quality of light. In Shanghai the light was mostly flat, in France it often is too. Here the light is powerful and direct when the sky is bue, different but no less interesting when there are clouds. It’s a photographer’s delight as this sunset shot taken from the window of my son’s room hopefully shows.
In certain streets when you look straight up, you see the jagged edges of buildings nearly on all sides. It’s a very impressive sight and one that I’ve only seen here.
Slow Hong Kong
Fuji x100s, 50mm, f/11, 85s, ISO 200
50mm telephoto extension + in-built ND8 filter
I always meant to explore Bulb mode for really long exposures, but have rarely found the opportunities to do it. Monday night I realized my 21st floor hotel room overlooked a highway amidst tall Hong Kong buildings. I set up my tripod against the window sill and voila! This is a rough version as I’m posting this from the airport and haven’t had time to really tweak the colour temperature, but it’s interesting (I think).
Early evening over Victoria Harbour in Hong-Kong. Now you know why everybody you see on the shore after 6 PM carries a tripod.