Fuji x100f, 35mm, f/5.6, 1/1000 s, ISO 2000
There are not many open air wet markets here like you expect to see in France. But there are a lot of indoor markets with tiny stalls one after the other. This stall stood out because it was so small, paradoxically.
Fuji x100f, 35mm, f/5.6, 1/100s, ISO 320
In the last 6 months I have taken to walking a lot. When I was in London I did most of my inner city travels walking, which of course is great for street photography. Somewhere between Shoreditch and Covent Garden I saw this street window that I thought was just great: the old design, the bikes in front, everything. I normally try to have a human subject in my street photos but here I felt the shop window was a character in and of itself.
Movable Reclining Chair
Fuji x100f, 35mm, f/5.6, 1/100s, ISO 640
It was early morning in Shoreditch, and when I saw this guy I knew I had a good shot. I managed to creep close enough and capture this picture. We see a lot of guys sleeping on their bikes here in Asia, but none so comfortably.
Fuji x100f, 35mm, f/4, 1/100s, ISO 1600
I am often attracted to interesting facades, and of course in order to make the pictures more accessible it’s good to have a subject into the frame beyond the building itself. As a consequence I’m very aware that many of my so-called street shots follow a similar composition. It’s something I’ve just started working on, but man are lines addictive…
Fuji x100f, 35mm, f/5.6, 1/60s, ISO 250
London is all about english breakfasts and black and white. Well, amongst other things. There’s something about London that lends itself to black & white. Maybe it’s the weather…
The Inquisitive Butcher
Fuji XPro2, 27mm, f/8, 1/100s, ISO 3200
There’s a tiny street in the Mid-Levels called Gage street that feels a lot more like China than most of Hong Kong. It’s got this open air wet market with the meat and fish on display just like in Shanghai. I love it and probably need to get back there.
Fuji XPro2, 40mm, f/5.6, 1/20s, ISO 100
Night lights and narrow streets make for interestingly lit shots in Hong Kong.
Fuji XPro-2, 70mm, f/8, 1/100s, ISO 400
I love these little noodle bars with tables virtually on the street. You see them mostly everywhere, but especially in Tai Hang. Unlike in other parts of China, the dog is under the table, not in the bowl.
End of the Night
Canon EOS7D, 80mm, f/2.8, 1/160s, ISO 1600
Monophonics is a spectacular band to see live. Singer / keyboard player Kelly Finnigan has the kind of stage presence and energy that you don’t expect to see live these days anymore. Saying he ends each gig drenched in sweat would be a lie: he is drenched from the beginning of the third song. For this particular gig I was standing a meter away from the band and eye level with them which gave me some cool opportunities for photos I don’t normally get to do but also proved super challenging. This one of the winning shots from that gig.
Canon EOS 7D, 80mm, f/2, 1/100s, ISO 800
The fabulous French big band Bigre! has a song on their repertoire called Be Good Bluesy Johnny which is at heart an interplay between barytone sax and blues guitar. There’s a break in the middle of the song when the band suddenly goes 12-bars-ish and the guitar starts wailing. It’s orgasmic. The first time I heard this time was when I went to see Bigre! live for their latest album release party. This is the precise moment when Nicolas Mondon launched into his solo.