St George’s, Bloomsbury
Fuji x100f, 35mm, f/5.6, 1/100s, ISO 400
Did I mention I loved columns? Obviously, this is less spectacular than this kind of shot, but the white columns on darker background make for a really interesting composition (I think). I think ideally this photo could have been enhanced with heavy rain, but for once it wasn’t raining in London!
Fuji x100s, 35mm, f/8, 1/60s, ISO 250
Reykjavik’s Hallgrímskirkja is a truly impressive modern building overlooking the city. You can’t help feeling dwarfed by the sheer size and greyness of it. I shot this at dawn when there was no one around (unsurprisingly considering how cold and wet it was) and I felt the grimness of it all matched the weather perfectly.
Nostalgie de Paris
Canon A2, 50mm, f/8, 1/250s, ISO 200
Film: Agfa Scala 200
Just before the summer I finished a roll of one of my favorite slide film: Agfa Scala 200. I remember walking back to St Lazare, past Trinité and thinking the alignment of the Metro sign with the Trinité Church bell-tower would make an interesting composition. Months later, after scanning the film, I have to agree with my past self. I’m in two minds whether the slight aperture blur of the Church is too much, just right or not enough, but I guess it’ll give me an excuse to experiment further next time I’m in Paris.
San Giorgio Maggiore
Fuji x100s, 35mm, f/11, 20s, ISO 200
Venice is a honeytrap for the amateur photographer, and despite only having my x100s and gorillapod, I was able to make some really great low-light long-exposures while I was there. This is one of them.
Canon 7D, 32mm, f/8, 1/200s, ISO 400
The other evening, as I was waiting for models on the left bank of the Seine for a 1930s shoot I noticed that Notre-Dame was wonderfully lit by the impending sunset. It’s kind of a corny shot, but it’s still a beautiful building…
When I crossed the eastern part of San Fransciso by car I never imagined stumbling on a church that wouldn’t look out of place in Moscow. But I did. I had to stop and shoot it…
his is the side door of the church where I got married. I love the old look and the mystery it exudes. The photo was edited with Snapseed.
Rome is a street photographer’s paradise! There’s always something going on. And the backdrops are magnificent too!