I remember shooting this photo very early in the morning, as an afterthought of sorts: I hoped the bird (a sort of cormorant if memory serves me correctly) would stand still long enough to not show up as an indistinct blur on the final shot. I got my wish (although there were four or five attempts).
Fuji TX2 (XPAN) + Ilford FP4+
When you have this kind of vista in front of you is when the xpan truly shines. I wish I’d had time to go and explore the beaches and coves shown here, but alas traveling for work rarely offers that option.
The Manoa falls were a bit dissapointing (not much water and lots of tourists) but the stream coming down from the falls had lots of interesting photo opportunities (if one was willing to be devoured by mosquitoes). This is probably the best shot I got.
With rushing water, long exposure is very relative. Though some like to do really long exposure times, I find that it gives the water a supernatural texture that is too far removed from the scene I see for my tastes. So my preference goes to speeds around 1/10s, which is what this is. With a stabilized lens, you can even do this handheld, as I did here. I like the tropical lushness of the surrounding vegetation around the brook…
Driving one morning on the winding roads of East Coromandel, I saw this stunning vista. I had to park and get out the camera. I love it when the sun and clouds make a patchwork of the sea.
Fuji x-pro2, 27mm, f/8, 1/4s, ISO 200
When you have the appropriate filters, there’s always a temptation to do really long exposures over rushing water. In my experience though, it doesn’t really work to render the flow. Exposure times around 1s or less work best in my experience, and this is what I did here at Huka falls, probably the most impressive rush of water I’ve seen in my life to date.
Looking at Paradise
Fuji XPro-2, 27mm, f/8, 1/600s, ISO 200
As soon as I set foot on Pasir Tengkorak Beach on the Northern shore of Langkawi I knew I had to take a shot using those two branches to frame the island out at sea. I did several attempts, but the photo was missing something, I felt, so I asked my son to sit on the branch. I think this balances the composition nicely.
(Click to Enlarge)
Fuji TX2, 45mm, f/5.6, 1/100s, ISO 400
Film: Kodak T-Max 400
It’s hard to do good landscape shots at any time, but it’s especially hard when the light isn’t interesting. On my first day in Auckland a friend toured me around and took me to Piha Beach, which on a bright day would have been fantastic for photos. As it was, I only took a few shots and thought nothing of it. Turns out they were rather more interesting than I thought.
Fuji x100s, 35mm, f/11, 1/60s, ISO 500
I’m not a landscape photographer. I just don’t have the skill for it and I can only admire the masters from afar and, once in a while, shoot what to them would be a snapshot but at least brings me nice memories of something I saw. We recently spent a few days as a family in Ping An, North of Guilin in China. The region is known for its remote villages and terraced rice paddies. Not since I went to Bali when I was 13 had I seen such verdant green, and I was compelled to shoot many landscapes, few of which are any good. I had high hopes for sunset, but it turns out the nearby mountains hid the sun very early, and sunset wasn’t what I expected. Still, I tried to make the most of the slight haze of pink on the horizon, and this is the result.
My first ever attempt at long-exposure. With torrents, « long » is a very relative terms since anything above a fraction of a second makes the whole stream go white.