On one of my two mornings in NYC I headed out to Brooklyn Bridge Park and crossed my fingers for a nice sunrise. When the sun finally emerged above the Brooklyn skyline, I was blessed with a beautiful golden light which I promptly (but slowly) captured.
Good Night, Aesclepius
Fuji xpro2, 27mm, f/13, 9s, ISO 200
As you might have figured out by now, I really like this little temple in the Villa Borghese and decided to go shoot there both at sunrise and at sunset. The results are dramatically different as the sun going low behind the trees creates a wonderfully golden backlit scene.
Fuji xpro2, 27mm, f/11, 6,5s, ISO 200
The last time I’d been in Rome I had spotted those fountains in front of the Borghese Gallery but the light was all wrong and the photos I got weren’t very interesting. This time the light was right, and I had the tripod and ND filter. I quite like how this looks. In particular the rusted stone (is that a thing?) which I guess is fungi of some sort came out real nice. Oh and I know it’s not an imp, more likely some devil out of Dante, but Slow Imp sounded nicer.
Fuji xpro2, 27mm, f/16, 15s, ISO 200
For a long time I’ve been meaning to take a long exposure shot of the coliseum with traffic light trails in front. When I got there thanks to my friend Lori, I found that the angle I wanted to shoot from was occupied with scaffolding and a crane. So I went to the other side, and shot this. To be honest I’m not super happy with the angle, but I still think it works. Will revisit at a later date.
Slow Sea Horses
Fuji xpro2, 27mm, f/13, 12s, ISO 200
Walking around the Villa Borghese with tripod and ND filter, I realised there were more photo opportunities than I anticipated. I tried to find the right angle for the Fontana dei Cavalli Marini, with the sun behind me and was quite pleased with the results.
Akihabara by Night
Fuji x100f, 28mm, f/16, 8s, ISO 200
My original intent with this was to shoot light trails in front of the Akihabara lights. Unfortunately, I had not anticipated that the pedestrians crossing on my left would block the cars turning just in front of my lens. So instead I shot a long exposure in between cars, and was quite pleased withe the result (and surprisingly little ghosting).
Fuji xpro-2, 27mm, f/16, 0,6s, ISO 200
Another spectacular waterfall near Rotorua. The challenge in shooting this one was to avoid the rafts and kayaks either coming down the fall (for the latter) or going up to it (for the former).
Fuji xpro-2, 27mm, f/16, 12s, ISO 200
I know this doesn’t look exactly like the best holiday weather (and it wasn’t), but you make the most of what you have, and I definitely like this haunting long exposure of the fractured rocks by the Cook Straight in Wellington.
Fuji xpro-2, 27mm, f/13, 1,2s, ISO 200
One of the fascinating things about river long exposures is the patterns that appear in the water from the direction of the flow. In shooting the Kaituna River down from Okere Falls, I wasn’t expecting it would be so apparent.
Fuji x-pro2, 27mm, f/8, 1/4s, ISO 200
When you have the appropriate filters, there’s always a temptation to do really long exposures over rushing water. In my experience though, it doesn’t really work to render the flow. Exposure times around 1s or less work best in my experience, and this is what I did here at Huka falls, probably the most impressive rush of water I’ve seen in my life to date.