*Pier 41 at Dawn*
Pier 41 in San Francisco is a wooden pier that juts out into the bay. It has these old fashioned lampposts that stay on all night, and last time I was in San Francisco I decided to check it out at dawn. It wasn’t an insanely superb sunrise, but the subdued colours were really lovely.
*The Iron Lady*
By sharing this photo I may be doing something illegal. Because of intellectual property rules (that I frankly consider stupid) the night lights of the Eiffel Towers are IP protected. That’s correct, not the tower itself, but the lights. Oh well, that won’t stop me from taking shots of the tower and sharing them (at least until they sue me…)
*The Mists of Dawn*
When you shoot long exposures of a still body of water, you get a perfectly smooth and often reflective surface. But when you shoot a long exposure of waves, you get patterns and eddies. One interesting look that I definitely have not explored enough is this misty look that you get from a shortish long exposure (here 5s).
*Hedgehog on Film*
Canon A2 + Ilford Pan F
There’s a spectacular waterfall in the Jura mountains in France called Les Cascades du Hérisson (The Hedgehog Waterfall) and the river that flows from them is called (you guessed it) The Hedgehog (le Hérisson). Long exposure on film is tricky, but when all you’re after is 1/10s or thereabouts, Ilford Pan F is perfectly suited. I really like the results on this one.
I hadn’t been to Amsterdam in a long time and if I’m honest I never managed to take shots of the city center I was truly happy with. Of course the weather was lousy, otherwise it’s no fun. Still, I suppose that’s Amsterdam too (I finally understood why Dutch men always wear a T-shirt under their shirt…) One of the big challenges in shooting the canals is that even with a wide angle there are only a few places where you’ll have enough space to properly shoot. I’m quite happy with this one. It was super windy, so the (light) x100f swayed even low on the ground, which means out of six shots this is the only one that’s sharp!
Shooting the lanterns in long exposure at Senso-ji after dusk was comparatively easy (although I hadn’t realised that despite their size the lanterns would sway with the wind) but finding a way to shoot the pagoda was trickier. Thankfully I had my Platypod with me and was able to strap it to a tree. Shooting it through the branches, I thought would give it a different feel, and I’m really pleased with how it came out.
*Senso-ji at Night*
Sneso-ji at night was all it was supposed to be and more. But I had to try this one over ten times to get a decent result : long exposures theoretically erase people in front of you from the picture… except when they stand still for minutes on end in front of you to take photos. I can’t blame them, I was doing the same !
I would have loved to do a long exposure shot of this zen garden at the back of Nijo Castle, but tripods were (understandably) not allowed, so I had to make do with stabilization. Still, I quite like the end result, benefiting from a rare ray of sunlight.
The minutes before dawn can be bland, or they can be fantastic. When there are clouds and the sun is just about to peek above the horizon, you often get marvelous colours, as it was that morning in Hawaii. I decided to try this very sparse composition with lots of featureless sea due to the long exposure, and I find it very soothing.