Beach & Tags
What caught my eye here was the combination of bathers on one side of the frame and the heavy urban feel of the street art on the other side. I wish the dinghy hadn’t been there bobbing on the water, but hopefully it’s not too distracting.
The combination of transparency and motion blur is one of the things I love in seaside long exposures. Of course, the contrast between the harshness of the rock and the softness of the water also contributes greatly. The bricked up sewer pipe and the green algae also caught my eye in this one.
Boatload of Boats
Marseille is a really interesting city in that it stretches along the coast for miles. This means that virtually anywhere in the city, if you head towards the sea you find tiny harbours or calanques (rock beaches). I really liked this one and only disturbed a few beach goers to shoot it.
Aesclepius Wakes Up
Fuji xpro-2, 60mm, f/13, 8.5s, ISO 200
When I was in Rome for work last year I discovered the Temple of Aesclepius in the Villa Borghese, by the side of a little lake. Back then I had neither tripod nor zoom lens, so this time I came prepared. I went there early morning, after the sun was up, but not too high on the sky. I used an ND400 filter to get this 8 second exposure, and I’m very pleased with the result, basked in glorious morning light.
Fuji x100f, 28mm, f/16, 12s, ISO 200
In many ways, Tokyo is even more of a vertical city than Hong Kong where I live. Hong Kong mostly grew overground, which makes sense when you realise that most of the high-riser areas are on reclaimed land. Tokyo on the other hand seems to me as much underground as overground with multiple layers of commuting, shops and walkways superimposed. That means lots of colonnades and interestingly graphic things to shoot with a wide(ish) angle lens!
Cold Urban Jungle
Fuji x100f, 28mm, f/11, 17s, ISO 1000
In Tokyo I was in the Shimbashi area by accident, but I loved the vertical nature of the city around there. Cold, to be sure, but multi-level with elevated pedestrian platforms everywhere and great perspectives…
Quiet Shimbashi Road
Fuji, x100f, 28mm, f/11, 26s, ISO 400
I went to Tokyo fully determined to do lots of light trails, but I realised that you rarely stumble upon the right locations without knowing ahead of time what might look good. Also: pedestrian overpasses: good. Glass railings: bad. This was the best I managed, with a tripod precariously perched on the tip of a glass railing…
Canon EOS 7D, 32mm, f/11, 1/4s, ISO 100
Recently, while discussing potential prints of flowing water with a client, I realised that I had never posted this photo on my blog. This was shot in the Jura mountains, and I love the near painting quality it has. It was during this session I realised that with rushing water I didn’t need long exposure times to get the amount of motion blur in the water that I like. I used a variant edit of this shot to illustrate my Long Exposure Tutorial.