Fuji x100f, 28mm, f/2, 1/60s, ISO 2500
There aren’t that many cities where you can really explore vertical perspectives. Tokyo is one of them and with this shot I was aiming to do just that.
Quiet Shimbashi Road
Fuji, x100f, 28mm, f/11, 26s, ISO 400
I went to Tokyo fully determined to do lots of light trails, but I realised that you rarely stumble upon the right locations without knowing ahead of time what might look good. Also: pedestrian overpasses: good. Glass railings: bad. This was the best I managed, with a tripod precariously perched on the tip of a glass railing…
Peeping Out the Nightclub
Fuji x100f, 35mm, f/2.8, 1/60s, ISO 3200
When you shoot street there are sometimes things you discover after the shot that strike you as more significant than what you wanted to shoot in the first place. Such is the case here, I only noticed the guy peering out the top window when processing the shot.
Sham Shui Po Highway
Fuji x100s, 35mm, 1/26s, f/16, ISO 200
About two years ago I came over to Hong Kong (when I was still living in Shanghai) and stayed in a really high up hotel room in Sham Shui Po. The view by day was nothing to write home about, but at night I immediately saw the potential. I did two long exposure shots to capture the light trails, one vertical (Slow Hong Kong) and this one. I really like the contrast between the cold tones of the building lines and the warm tones of the highway.
Quiet Night in CWB
Fuji x-pro2, 65mm, f/5.6, 1/80s, ISO 6400
Iconic night shots of Hong Kong feature these massive and colourful stree signs. In my first weeks here I did a few night outings hunting down these signs. Not easy to find balanced compositions, but I think this one works, the mini-bus balancing the sign.
Fuji XPro-2, 27mm, f/4, 1/20s, ISO 6400
One of the things I find truly wonderful about the Fuji XPro-2 is how it allows me to do shots that I just could not do with previous cameras. At ISO 6400 the noise is so fine it looks like fine grain from the film era, and with the optical stabilisation on the 18-55 I can shoot as slow as 1/10s without issue. Combine the two and you get these kinds of night shots where the dark areas are clear, and the contrasts nice.