Very close to Covent Garden, there was this building in the process of being renovated. Massive space, beautiful ceilings, no idea what it was before. Love the oval windows…
Fuji xpro2, 27mm, f/16, 15s, ISO 200
For a long time I’ve been meaning to take a long exposure shot of the coliseum with traffic light trails in front. When I got there thanks to my friend Lori, I found that the angle I wanted to shoot from was occupied with scaffolding and a crane. So I went to the other side, and shot this. To be honest I’m not super happy with the angle, but I still think it works. Will revisit at a later date.
Fuji x100f, 28mm, f/16, 12s, ISO 200
In many ways, Tokyo is even more of a vertical city than Hong Kong where I live. Hong Kong mostly grew overground, which makes sense when you realise that most of the high-riser areas are on reclaimed land. Tokyo on the other hand seems to me as much underground as overground with multiple layers of commuting, shops and walkways superimposed. That means lots of colonnades and interestingly graphic things to shoot with a wide(ish) angle lens!
Akihabara by Night
Fuji x100f, 28mm, f/16, 8s, ISO 200
My original intent with this was to shoot light trails in front of the Akihabara lights. Unfortunately, I had not anticipated that the pedestrians crossing on my left would block the cars turning just in front of my lens. So instead I shot a long exposure in between cars, and was quite pleased withe the result (and surprisingly little ghosting).
Quiet Shimbashi Road
Fuji, x100f, 28mm, f/11, 26s, ISO 400
I went to Tokyo fully determined to do lots of light trails, but I realised that you rarely stumble upon the right locations without knowing ahead of time what might look good. Also: pedestrian overpasses: good. Glass railings: bad. This was the best I managed, with a tripod precariously perched on the tip of a glass railing…
Peeping Out the Nightclub
Fuji x100f, 35mm, f/2.8, 1/60s, ISO 3200
When you shoot street there are sometimes things you discover after the shot that strike you as more significant than what you wanted to shoot in the first place. Such is the case here, I only noticed the guy peering out the top window when processing the shot.