Fuji x100f, 35mm, f/5.6, 1/150s, ISO 200
The statuary in cemeteries is rarely joyful, but often offers great opportunities for compositions. This is what I tried to do here, framing the statue of the weeping widow in context.
Fuji TX2, 45mm, f/8, 1/500s, ISO 1600
Film: Fuji Superia 1600
I have something of an obsession for this statue just outside the St Lazare train station in Paris. It’s called « L’Heure pour Tous » (Time for Everybody) and I shot it a lot a few years ago, trying to find interesting compositions and integrating the pigeons when I could. With the vertical panorama, I had to fill the foreground, which these two passers-by kindly did for me. Since the statue was refurbished, it’s now golden, which I don’t like as much as when it was black. But I have to say, with a bright color film, it certainly sparkles!
Buddha in the Clouds
Fuji x100s, 50mm, f/11, 1/400s, ISO 200
This is another shot of the Buddha Dordenma in Thimpu, Bhutan. A truly impressive piece of architecture. One of the most surprising aspects to me was the notion that this would be built today. I can’t imagine a cathedral being built in France today in the style of the medieval cathedrals, yet this is, in essence, what it is. It’s one of those moments when I realize that spirituality truly means something else in Asia.
Fuji x100s, 50mm, f/8, 1/1000s, ISO800
The Buddha Dordenma is probably the most impressive manmade thing I saw while in Bhutan. It overlooks the capital city of Thimphu, and actually isn’t finished yet (the insides will ultimately be a temple, but that’s not done yet). I took this shot from a moving bus and was quite please it came out so well. In fact, I suspect it’s my best shot from Bhutan. If you’re interested in a print, get in touch!
Curvaceous Southern Belle
Canon A2, 50mm, f/5.6, 1/250s, ISO 100
Film: Adox Color Implosion
This is another photo from Chattanooga, something I didn’t expect to see there (I guess the Simpson episode where Michaelangelo’s David is censored for being naked gave me the wrong impression on US prudeness). It’s very grainy, like all the pictures I took with the Adox film. I have another roll, but I’m not convinced I’ll ever use it…