Fuji x100s, 35mm, f/8, 1/300s, ISO 200
Venice is ripe with street photo opportunities, and when I saw this couple seated under the statue of a saint alongside Santa Maria del Giglio, I knew I had a good shot despite the high contrast.
Buddha in the Clouds
Fuji x100s, 50mm, f/11, 1/400s, ISO 200
This is another shot of the Buddha Dordenma in Thimpu, Bhutan. A truly impressive piece of architecture. One of the most surprising aspects to me was the notion that this would be built today. I can’t imagine a cathedral being built in France today in the style of the medieval cathedrals, yet this is, in essence, what it is. It’s one of those moments when I realize that spirituality truly means something else in Asia.
Fuji x100s, 50mm, f/8, 1/1000s, ISO800
The Buddha Dordenma is probably the most impressive manmade thing I saw while in Bhutan. It overlooks the capital city of Thimphu, and actually isn’t finished yet (the insides will ultimately be a temple, but that’s not done yet). I took this shot from a moving bus and was quite please it came out so well. In fact, I suspect it’s my best shot from Bhutan. If you’re interested in a print, get in touch!
Curvaceous Southern Belle
Canon A2, 50mm, f/5.6, 1/250s, ISO 100
Film: Adox Color Implosion
This is another photo from Chattanooga, something I didn’t expect to see there (I guess the Simpson episode where Michaelangelo’s David is censored for being naked gave me the wrong impression on US prudeness). It’s very grainy, like all the pictures I took with the Adox film. I have another roll, but I’m not convinced I’ll ever use it…
Banishment, Polish Style
Canon A2, 50mm, f/4, 1/40s, ISO 125
Walking around Warsaw’s Old Town I tried to capture some interesting street scenes. Of course, the contrast between the religious statue on the side of one of the many churches and the urban style clothing of the man in front caught my eye… Shot on Ilford FP4+.
Arman’s statue « L’Heure pour Tous », just outside Saint-Lazare train station in Paris is a constant subject of fascination to me. I have tried to capture it on photo many times, and this interpretation is the most interesting so far. I like how the pigeons nest there, oblivious to the fact that they live within art.