The Front Door
Fuji x100s, 35mm, f/8, 1/60s, ISO 1000
I have an unwavering fascination with doors, especially when they are ornate or derelict or a mix thereof. I took a lot of photos of doors in Venice, most of them half-rotten canal doors. This one probably is the most representative, but I may do a « door » series in the not too distant future.
Fuji x100s, 35mm, f/8, 1/320s, ISO 800
Limoncello is a staple lemon alcohol from Venice. It’s not unpleasant, but it really is an acquired taste. Still, the bottles look so cool that the photographer in me doesn’t care how it tastes!
San Giorgio at Dusk
Fuji x100s, 35mm, f/11, 18s, ISO 200
Obviously, for the lover of Long Exposure that I am, Venice is a godsend. I wish I’d had a proper tripod (there’s only so much a Gorillapod will do) and more evenings and mornings to find cool locations to shoot, but I did get a few shots I liked, including this one.
Fuji x100s, 35mm, f/8, 1/300s, ISO 200
Venice is ripe with street photo opportunities, and when I saw this couple seated under the statue of a saint alongside Santa Maria del Giglio, I knew I had a good shot despite the high contrast.
Fuji x100s, 35mm, f/8, 1/120s, ISO 400
The theme for this week’s photos is Venice. I was lucky enough to have to spend three days in Venice for work last year and spent all of my free time walking the streets and losing myself in the labyrinth. I feel like I haven’t scratched the surface, so the selection this week will be only a little bit of what I think I could shoot if I went back. Anyway, here’s the first shot, a view of the Grand Canal from the Rialto Bridge, with the obligatory gondola. I wasn’t exactly plagued with beautiful weather, but there was enough texture in the sky at most times that it didn’t look completely bland.
San Giorgio Maggiore
Fuji x100s, 35mm, f/11, 20s, ISO 200
Venice is a honeytrap for the amateur photographer, and despite only having my x100s and gorillapod, I was able to make some really great low-light long-exposures while I was there. This is one of them.