Slow Sea Horses
Fuji xpro2, 27mm, f/13, 12s, ISO 200
Walking around the Villa Borghese with tripod and ND filter, I realised there were more photo opportunities than I anticipated. I tried to find the right angle for the Fontana dei Cavalli Marini, with the sun behind me and was quite pleased with the results.
iPhone, 29mm, f/2.2, 1/1600s, ISO 25
Last time I was in Rome I took the time for a long morning stroll in the Villa Borghese, and I stumbled upon this artificial lake (I’m assuming) with a tiny roman temple in the middle. The reflection in the lake gave the impression of two temples, and so I snapped it right up!
Fuji xpro-2, 27mm, f/16, 0,6s, ISO 200
Another spectacular waterfall near Rotorua. The challenge in shooting this one was to avoid the rafts and kayaks either coming down the fall (for the latter) or going up to it (for the former).
Canon EOS 7D, 32mm, f/11, 1/4s, ISO 100
Recently, while discussing potential prints of flowing water with a client, I realised that I had never posted this photo on my blog. This was shot in the Jura mountains, and I love the near painting quality it has. It was during this session I realised that with rushing water I didn’t need long exposure times to get the amount of motion blur in the water that I like. I used a variant edit of this shot to illustrate my Long Exposure Tutorial.
San Giorgio Maggiore
Fuji x100s, 35mm, f/11, 20s, ISO 200
Venice is a honeytrap for the amateur photographer, and despite only having my x100s and gorillapod, I was able to make some really great low-light long-exposures while I was there. This is one of them.
Sunrise Under the Bay Bridge
Fuji x100s, 35mm, f/11, 14s, ISO 200 w. ND 64 external filter and ND 8 internal filter
It’s surprisingly difficult to do sunrise shots of San Francisco. The city is nearly always lost in fog until close to mid-day, and on my first day there last week I didn’t realise how lucky I was to catch this much of a sunrise, which is admittedly not much. Still, I quite liked the composition, with the wooden piles at the forefront and what little of the morning sunlight is visible directly under the bridge. I remain amazed at my x100s’ capabilities and am seriously thinking about ditching the Canon system altogether…
Fuji x100s, 35mm, f/8, 1/60s, ISO 800
I don’t usually do these kinds of abstracts, but there was something fascinating about the way the reflected branches of this ancient tree reflected in the pond as my son threw pebbles in the water.
My first ever attempt at long-exposure. With torrents, « long » is a very relative terms since anything above a fraction of a second makes the whole stream go white.
One of a number of shots of the new highest skyscraper in Europe.