Fuji x100f, 28mm, f/2, 1/60s, ISO 2000
Christmas season it seems starts earlier every year. In the US it’s usually after Thanksgiving, but here in Asia there’s no Thanksgiving so it’s usually after Halloween… One thing is for sure: late November Tokyo is ablaze with Christmas lights. This wasn’t one of the more spectacular trees, but it was an interesting contrast with the signs in the background, I thought…
Fuji x100s, 35mm, f/2.8, 1/60s, ISO 2000
This is another shot from Sham Shui Po. I really love the light here, all artificial, coming from the little store, at something like 5 AM. To be fair I’m not often up at that time, but I should try and make the effort more often…
Sham Shui Po Highway
Fuji x100s, 35mm, 1/26s, f/16, ISO 200
About two years ago I came over to Hong Kong (when I was still living in Shanghai) and stayed in a really high up hotel room in Sham Shui Po. The view by day was nothing to write home about, but at night I immediately saw the potential. I did two long exposure shots to capture the light trails, one vertical (Slow Hong Kong) and this one. I really like the contrast between the cold tones of the building lines and the warm tones of the highway.
Fuji x100s, 35mm, f/2.8, 1/60s, ISO 2500
In one of the numerous AirBnB rooms I stayed in last year, this mask was hanging in the back wall of the toilet room. The gold on red thing and the way the shadow from the lamp was hitting the wall struck me and so I shot this minimalist shot.
Too much going on
Fuji x100s, 35mm, f/4, 1/250s, ISO 400
Readability is considered a great virtue in photographic composition: if the viewer understands what’s going on, he’s much more likely to be engaged with the photograph. There is another school of thought though that argues that the more the viewer needs to immerse himself in the photograph, the more he is engaged. I guess this photo is of the latter sort, with at least three, possibly four separate things happening.
Fuji x100s, 35mm, f/2.8, 1/75s, ISO 200
Sometimes you know when you take a shot that it’s going to be a good one. This was one of those times. I’ve tried to capture this moment when temple visitors light their incense sticks many times, but I’d never really nailed it until then.
Fuji x100s, 35mm, f/2, 1/60s, ISO 1000
One of the things I love about Buddhist temples is that there’s always something going on, people praying or burning incense, and it’s all very relaxed, unstructured. Very different from what we expect to see in a Church in Europe.
Itinerant Fruit Seller
Fuji x100s, 35mm, f/8, 1/60s, ISO 1000
One of the things I love in Asia is that people tend to be happy to be photographed. They smile, sometimes they stop to give you a chance to really capture them. It’s a change from Europe, I can tell you. I have two shots of this vietnamese fruit seller, one where she looks straight at me, and one where she looks on the side. I prefer this one. Tell me what you think !
The Good Shot
Fuji x100s, 35mm, f/5.6, 1/60s, ISO 400
As I was walking towards Westminster Cathedral, with little in the way of good light, I asked myself whether I would even be able to make a decent shot. It turns out that as long as you’re shooting the other photographers, you’re good.
Fuji x100s, 35mm, f/11, 1/60s, ISO 500
I’m not a landscape photographer. I just don’t have the skill for it and I can only admire the masters from afar and, once in a while, shoot what to them would be a snapshot but at least brings me nice memories of something I saw. We recently spent a few days as a family in Ping An, North of Guilin in China. The region is known for its remote villages and terraced rice paddies. Not since I went to Bali when I was 13 had I seen such verdant green, and I was compelled to shoot many landscapes, few of which are any good. I had high hopes for sunset, but it turns out the nearby mountains hid the sun very early, and sunset wasn’t what I expected. Still, I tried to make the most of the slight haze of pink on the horizon, and this is the result.