Quiet Night in CWB
Fuji x-pro2, 65mm, f/5.6, 1/80s, ISO 6400
Iconic night shots of Hong Kong feature these massive and colourful stree signs. In my first weeks here I did a few night outings hunting down these signs. Not easy to find balanced compositions, but I think this one works, the mini-bus balancing the sign.
Broken Stone of Beng Mealea
Fuji Xpro2, 30mm, f/8, 1/100s, ISO 1250
Besides the well known sites around Angkot Wat and Angkor Thom, there are dozens, possibly hundreds of other sites near Siem Reap in various states of disrepair. Beng Mealea was only recently opened to visitors and has not been restored at all. It’s fascinating both because it gives a sense of what the more famous temples must have looked like before restoration and because it truly feels abandoned.
Nature vs. Architecture
Fuji XPro-2, 30mm, f/7.1, 1/90s, ISO 6400
Perhaps the most striking sight in Cambodia, the sign of the passage of time, is these ruins completely overtaken by massive trees, the walls completely encased in roots. I couldn’t find any decent broad shot that would convey the strange majesty of it all, so I went the other way and looked for detailed views. This, ultimately, is a good way of highlighting the fight between nature and architecture.
The Faces of Angkor Thom
Fuji Xpro-2, 50mm, f/2, 1/1500s
The central temple at Angkor Thom is probably the most impressive thing I’ve seen in Cambodia. Other places may have been more majestic or made me feel more like an explorer, but Angkor Thom has a combination of awe-inspiring and mystical. It’s like these faces were universally relevant somehow.
Angkor on the Horizon
Fuji XPro-2, 80mm, f/4, 1/640s, ISO 200
Phnom Bakheng is a derelict temple at the top of a hill overlooking Angkor Wat. Seeing the famous three spires emerge through the foliage was something quite unique.
The Yellow Stone of Lo Lei
XPro-2, 27mm, f/4.5, 1/150s, ISO 200
It is with a bit of a heart wrench that I start this new series of photos from Cambodia. On the way back, my photo bag was stolen, and I discovered the hard way that it’s pointless to do three backups if you store them all in the same bag. The only trace left of the 1000+ shots is a couple of hundred low-res exports I did for my Family blog. It’s better than nothing, I guess, but the light was extraordinary, and the place was extraordinary. Still, I hope you’ll enjoy the remnants of a great photo opportunity gone slightly amiss.
Fuji X-Pro2, 85mm, f/13, 1/9s, ISO 200
There’s something fascinating about red peppers. Maybe it’s because they are so unbelievably red, or maybe it’s because they look so nice and shiny and end being so deliciously evil. I like peppers…
The Inquisitive Butcher
Fuji XPro2, 27mm, f/8, 1/100s, ISO 3200
There’s a tiny street in the Mid-Levels called Gage street that feels a lot more like China than most of Hong Kong. It’s got this open air wet market with the meat and fish on display just like in Shanghai. I love it and probably need to get back there.
Fuji XPro2, 40mm, f/5.6, 1/20s, ISO 100
Night lights and narrow streets make for interestingly lit shots in Hong Kong.
Getting His Hands Dirty
Fuji 35mm, f/8, 1/100s, ISO 320
Taï Hang, as I mentioned previously, is an area that used to be mostly garages and body shops. Restaurants are taking over as it gets gentrified, but there are still a fair few around. The fun thing about them is that there’s no space to work on cars inside the garages, so more often than not, they repair on the streets. Cool for street photographers, as you can see here!