With rushing water, long exposure is very relative. Though some like to do really long exposure times, I find that it gives the water a supernatural texture that is too far removed from the scene I see for my tastes. So my preference goes to speeds around 1/10s, which is what this is. With a stabilized lens, you can even do this handheld, as I did here. I like the tropical lushness of the surrounding vegetation around the brook…
To say that our summer in Wellington a little over a year ago was worse than most winters in France would be an understatement. But I got dramatic skies and heavy grey light, good stuff for long exposure black and whites by the sea. I only published one shot from this series previously, and when I revisited it this one struck me as really interesting.
*Ferry in the Sunset*
One of my favourite things to do in Hong Kong is just to take the ferry accross from Hong Kong Island to Kowloon. It’s only ten minutes, but these rickety old ferries have so much character and the view is spectacular. On this particular evening, we were on a tourist boat to show some family members around, and one of these spectacular stormy sunsets that we have in early summer occured. Not bad !
*Buddha in the Mist*
The Lantau buddha is quite spectacular in size, and a few hundred meters above sea level. As a consequence, even when the weather is relatively nice by the shore, it’s often shrouded in mist. I wanted to capture that the last time I went there and I was lucky enough that there was a dense fog that veiled the massive statue. Moody, don’t you think ?
Water & Rocks
The last shot I took in my Marseille outing. It was in a part of Marseille called Les Goudes that honestly doesn’t feel like it’s in the city anymore (but it is). It was very peaceful there, and beautiful too. I really like these little pockets of sea water that get trapped in the rocks, and this is what I tried to capture here, and exercice in comparative textures.
Beach & Tags
What caught my eye here was the combination of bathers on one side of the frame and the heavy urban feel of the street art on the other side. I wish the dinghy hadn’t been there bobbing on the water, but hopefully it’s not too distracting.
The combination of transparency and motion blur is one of the things I love in seaside long exposures. Of course, the contrast between the harshness of the rock and the softness of the water also contributes greatly. The bricked up sewer pipe and the green algae also caught my eye in this one.
Boatload of Boats
Marseille is a really interesting city in that it stretches along the coast for miles. This means that virtually anywhere in the city, if you head towards the sea you find tiny harbours or calanques (rock beaches). I really liked this one and only disturbed a few beach goers to shoot it.
I was lucky enough to spend a day in Marseille this summer. A friend of mine walked me around the coastline, and I took some long exposure shots in the morning light. Sure, there’s something touristy about some of these shots, but that light is so gorgeous…
Fuji xpro2, 160mm, f/2.8, 1/160s, ISO 6400
Shooting drummers in badly lit clubs is always tricky, because things move too fast for the camera to capture. Getting good shots is a combination of anticipation, repetition and luck. Here I managed to get Julian Addison with both sticks up and an interesting facial expression, I consider myself lucky!